A Companion to Classical ReceptionsLorna Hardwick, Christopher Stray John Wiley & Sons, 2011 M04 12 - 560 páginas Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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Página xiv
... Euripides' Children of Heracles (2003); Sophocles' Oedipus Tyrannus and Oedipus at Colonus (2003–4); Euripides' Hecuba, 2005; Sophocles' Ajax, 2006; and versions: The Trojan Women (2000); Medea, Queen of Colchester (2003), The Ally Way ...
... Euripides' Children of Heracles (2003); Sophocles' Oedipus Tyrannus and Oedipus at Colonus (2003–4); Euripides' Hecuba, 2005; Sophocles' Ajax, 2006; and versions: The Trojan Women (2000); Medea, Queen of Colchester (2003), The Ally Way ...
Página xv
... Euripides' Hippolytus (1999), Sophocles: Philoctetes (2005). She is co-author with Fred Ahl of The Odyssey Re-Formed (1996), and with C.A.E. Luschnig, of Euripides' Alcestis: A Commentary for Students (2003). She has also co-edited with ...
... Euripides' Hippolytus (1999), Sophocles: Philoctetes (2005). She is co-author with Fred Ahl of The Odyssey Re-Formed (1996), and with C.A.E. Luschnig, of Euripides' Alcestis: A Commentary for Students (2003). She has also co-edited with ...
Página xvii
... Euripides our Contemporary (2009), Found in Translation: Greek Drama in English (2006) and The Cambridge Companion to Greek and Roman Theatre, which he has edited with McDonald (2007). Ruth Webb is Honorary Research Fellow at Birkbeck ...
... Euripides our Contemporary (2009), Found in Translation: Greek Drama in English (2006) and The Cambridge Companion to Greek and Roman Theatre, which he has edited with McDonald (2007). Ruth Webb is Honorary Research Fellow at Birkbeck ...
Página 30
... Euripides' portrayal of Helen changes drastically from play to play); whereas they were considered a problem in Homer. In an interesting passage, Herodotus observes: 'The Cypria is not by Homer, but by someone else; for in the Cypria we ...
... Euripides' portrayal of Helen changes drastically from play to play); whereas they were considered a problem in Homer. In an interesting passage, Herodotus observes: 'The Cypria is not by Homer, but by someone else; for in the Cypria we ...
Página 34
... Euripides' Trojan Women, for example, is set after the fall of Troy but before the Achaeans have set off on their return journey. The two other plays in the same trilogy (now lost) also fall outside the scope of the Iliad and the ...
... Euripides' Trojan Women, for example, is set after the fall of Troy but before the Achaeans have set off on their return journey. The two other plays in the same trilogy (now lost) also fall outside the scope of the Iliad and the ...
Contenido
13 | |
26 | |
50 | |
Canon Class and Ideology | 75 |
the Uses of Classics in Trinidad in the 1950s and 1960s | 98 |
The Case | 129 |
The Arab | 141 |
Translating the Classical Play | 153 |
Pylades wearing a steeplecrowned clowns hat Clytemnestra | 282 |
Aristophanes between Israelis and Palestinians | 287 |
reconstruction | 292 |
Theories and Methodologies | 303 |
The Cyclops and the Gods | 315 |
Film as a Teaching Tool for the Classics | 327 |
Game 1992 directed by Neil Jordan | 329 |
The Politics of Ruins in Roma capitale | 345 |
Lost in Translation? The Problem of Aristophanic Humour | 168 |
André Gides Rewriting of Myth | 185 |
Feminist Models of Reception | 195 |
Moses and Monotheism and | 207 |
Canonization and Periodization | 219 |
Apolline and Dionysiac | 231 |
Body and Mask in Performances of Classical Drama on | 259 |
Oedipus Rex directed by Tyrone Guthrie in 1955 | 263 |
A Case | 274 |
The 1903 Athenian | 360 |
Greek Drama in South Africa | 373 |
Putting the Class into Classical Reception | 386 |
Images of the Odyssey in the Art | 401 |
Future Prospects | 469 |
Bibliography | 482 |
Index | 533 |
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Achilles actors Aeschylus aesthetic African Afrikaans ancient Greek ancient world Antigone antiquity Arab Aristophanes Aristotle Aristotle’s artistic Athenian Athens audience body canonical century chapter character chorus cinematic classical past classical reception classicists Classics and film comedy contemporary context critical Crying Game cultural Cyclops debate Dionysus discussion drama Elektra English epic episode Euripides example feminist Fergus figure film’s Freud Gladstone gods Greece Greek and Roman Greek tragedy Hardwick hero Homer human humour Iliad Israeli Katharevousa language Latin literary literature Lysistrata mask Medea Mistriotes modern moral myth narrative Odysseus Oedipus Oresteia Orestes original performance Persian Phaeacians philosophers photographs Plato play poem poetic poetry poets political Poseidon present production Prometheus question Raffaello Sanzio reception studies reception theory relationship rhetoric role Rome Rome’s scholars scholarship Socrates Sophocles stage story Symonds theatre themes theory tion translation Ulysses Virgil virtue ethics Walcott’s Williams’s words