A Companion to Classical ReceptionsLorna Hardwick, Christopher Stray John Wiley & Sons, 2011 M04 12 - 560 páginas Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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Dentro del libro
Resultados 1-5 de 63
Página v
... Plato's Reception of Dramatic Art Chris Emlyn-Jones 4 'Respectable in Its Ruins': Achaemenid Persia, Ancient and Modern Thomas Harrison 5 Basil of Caesarea and Greek Tragedy Ruth Webb ix xi xviii 11 13 26 38 50 62 Part II Transmission ...
... Plato's Reception of Dramatic Art Chris Emlyn-Jones 4 'Respectable in Its Ruins': Achaemenid Persia, Ancient and Modern Thomas Harrison 5 Basil of Caesarea and Greek Tragedy Ruth Webb ix xi xviii 11 13 26 38 50 62 Part II Transmission ...
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... Plato Republic Books 1–2 (Aris and Phillips). He has also published on Homer (Homer: Readings and Images, 1992, ed. with L. Hardwick and J. Purkis). He is currently working on a study of style, form and culture in Plato. Ahmed Etman is ...
... Plato Republic Books 1–2 (Aris and Phillips). He has also published on Homer (Homer: Readings and Images, 1992, ed. with L. Hardwick and J. Purkis). He is currently working on a study of style, form and culture in Plato. Ahmed Etman is ...
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... Plato's reception of drama and the tensions between its place in the presentation of his dialogues and in the development of his thought and its subsequent interpretation. Tom Harrison's analysis of Persia: Ancient and Modern juxtaposes ...
... Plato's reception of drama and the tensions between its place in the presentation of his dialogues and in the development of his thought and its subsequent interpretation. Tom Harrison's analysis of Persia: Ancient and Modern juxtaposes ...
Página 29
... Plato Ion 530d6–8): clearly, a close association with Homer, 'the blind poet whose works are best for ever' was advantageous to the rhapsodes (Burkert 1987). The context of their performances, and the particular pressures of their ...
... Plato Ion 530d6–8): clearly, a close association with Homer, 'the blind poet whose works are best for ever' was advantageous to the rhapsodes (Burkert 1987). The context of their performances, and the particular pressures of their ...
Página 31
... Plato). After the work of the Alexandrians in the third century – most notably Zenodotus, Aristophanes and ... Plato's copy of Homer (Nagy 2002). For all that the Alexandrian scholars made a considerable contribution to shaping the text ...
... Plato). After the work of the Alexandrians in the third century – most notably Zenodotus, Aristophanes and ... Plato's copy of Homer (Nagy 2002). For all that the Alexandrian scholars made a considerable contribution to shaping the text ...
Contenido
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26 | |
50 | |
Canon Class and Ideology | 75 |
the Uses of Classics in Trinidad in the 1950s and 1960s | 98 |
The Case | 129 |
The Arab | 141 |
Translating the Classical Play | 153 |
Pylades wearing a steeplecrowned clowns hat Clytemnestra | 282 |
Aristophanes between Israelis and Palestinians | 287 |
reconstruction | 292 |
Theories and Methodologies | 303 |
The Cyclops and the Gods | 315 |
Film as a Teaching Tool for the Classics | 327 |
Game 1992 directed by Neil Jordan | 329 |
The Politics of Ruins in Roma capitale | 345 |
Lost in Translation? The Problem of Aristophanic Humour | 168 |
André Gides Rewriting of Myth | 185 |
Feminist Models of Reception | 195 |
Moses and Monotheism and | 207 |
Canonization and Periodization | 219 |
Apolline and Dionysiac | 231 |
Body and Mask in Performances of Classical Drama on | 259 |
Oedipus Rex directed by Tyrone Guthrie in 1955 | 263 |
A Case | 274 |
The 1903 Athenian | 360 |
Greek Drama in South Africa | 373 |
Putting the Class into Classical Reception | 386 |
Images of the Odyssey in the Art | 401 |
Future Prospects | 469 |
Bibliography | 482 |
Index | 533 |
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