A Companion to Classical ReceptionsLorna Hardwick, Christopher Stray John Wiley & Sons, 2011 M04 12 - 560 páginas Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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... Socrates' Stage: Plato's Reception of Dramatic Art Chris Emlyn-Jones 4 'Respectable in Its Ruins': Achaemenid Persia, Ancient and Modern Thomas Harrison 5 Basil of Caesarea and Greek Tragedy Ruth Webb ix xi xviii 11 13 26 38 50 62 Part ...
... Socrates' Stage: Plato's Reception of Dramatic Art Chris Emlyn-Jones 4 'Respectable in Its Ruins': Achaemenid Persia, Ancient and Modern Thomas Harrison 5 Basil of Caesarea and Greek Tragedy Ruth Webb ix xi xviii 11 13 26 38 50 62 Part ...
Página ix
... Socrates and Strepsiades in the production of Clouds, directed by Socrates Karantinos in 1951 Beginning of the second act of Choephoroi. From left to right: Pylades (wearing a steeple-crowned clown's hat), Clytemnestra (lying on a bed) ...
... Socrates and Strepsiades in the production of Clouds, directed by Socrates Karantinos in 1951 Beginning of the second act of Choephoroi. From left to right: Pylades (wearing a steeple-crowned clown's hat), Clytemnestra (lying on a bed) ...
Página xii
... Socrates (2004 French and English tr. forthcoming). Michael Ewans is Professor of Drama and Research Facilitator in the School of Drama, Fine Art and Music at the University of Newcastle, Australia. He is the author of Janácek's Tragic ...
... Socrates (2004 French and English tr. forthcoming). Michael Ewans is Professor of Drama and Research Facilitator in the School of Drama, Fine Art and Music at the University of Newcastle, Australia. He is the author of Janácek's Tragic ...
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... and Lamberton 1986. For Homer in Greek art, Kannicht 1982 and Snodgrass 1998; for Etruscan and Roman art, Brilliant 1984. CHAPTER THREE Poets on Socrates' Stage: Plato's Reception of Dramatic The Ancient Reception of Homer 37.
... and Lamberton 1986. For Homer in Greek art, Kannicht 1982 and Snodgrass 1998; for Etruscan and Roman art, Brilliant 1984. CHAPTER THREE Poets on Socrates' Stage: Plato's Reception of Dramatic The Ancient Reception of Homer 37.
Página 38
Lorna Hardwick, Christopher Stray. CHAPTER. THREE. Poets. on. Socrates'. Stage: Plato's. Reception. of. Dramatic. Art. Chris. Emlyn-Jones. This chapter aims to consider the ... Socrates' Stage: Plato's Reception of Dramatic Art Chris Emlyn- ...
Lorna Hardwick, Christopher Stray. CHAPTER. THREE. Poets. on. Socrates'. Stage: Plato's. Reception. of. Dramatic. Art. Chris. Emlyn-Jones. This chapter aims to consider the ... Socrates' Stage: Plato's Reception of Dramatic Art Chris Emlyn- ...
Contenido
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26 | |
50 | |
Canon Class and Ideology | 75 |
the Uses of Classics in Trinidad in the 1950s and 1960s | 98 |
The Case | 129 |
The Arab | 141 |
Translating the Classical Play | 153 |
Pylades wearing a steeplecrowned clowns hat Clytemnestra | 282 |
Aristophanes between Israelis and Palestinians | 287 |
reconstruction | 292 |
Theories and Methodologies | 303 |
The Cyclops and the Gods | 315 |
Film as a Teaching Tool for the Classics | 327 |
Game 1992 directed by Neil Jordan | 329 |
The Politics of Ruins in Roma capitale | 345 |
Lost in Translation? The Problem of Aristophanic Humour | 168 |
André Gides Rewriting of Myth | 185 |
Feminist Models of Reception | 195 |
Moses and Monotheism and | 207 |
Canonization and Periodization | 219 |
Apolline and Dionysiac | 231 |
Body and Mask in Performances of Classical Drama on | 259 |
Oedipus Rex directed by Tyrone Guthrie in 1955 | 263 |
A Case | 274 |
The 1903 Athenian | 360 |
Greek Drama in South Africa | 373 |
Putting the Class into Classical Reception | 386 |
Images of the Odyssey in the Art | 401 |
Future Prospects | 469 |
Bibliography | 482 |
Index | 533 |
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Achilles actors Aeschylus aesthetic African Afrikaans ancient Greek ancient world Antigone antiquity Arab Aristophanes Aristotle Aristotle’s artistic Athenian Athens audience body canonical century chapter character chorus cinematic classical past classical reception classicists Classics and film comedy contemporary context critical Crying Game cultural Cyclops debate Dionysus discussion drama Elektra English epic episode Euripides example feminist Fergus figure film’s Freud Gladstone gods Greece Greek and Roman Greek tragedy Hardwick hero Homer human humour Iliad Israeli Katharevousa language Latin literary literature Lysistrata mask Medea Mistriotes modern moral myth narrative Odysseus Oedipus Oresteia Orestes original performance Persian Phaeacians philosophers photographs Plato play poem poetic poetry poets political Poseidon present production Prometheus question Raffaello Sanzio reception studies reception theory relationship rhetoric role Rome Rome’s scholars scholarship Socrates Sophocles stage story Symonds theatre themes theory tion translation Ulysses Virgil virtue ethics Walcott’s Williams’s words