A Companion to Classical ReceptionsLorna Hardwick, Christopher Stray John Wiley & Sons, 2011 M04 12 - 560 páginas Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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Dentro del libro
Resultados 1-5 de 40
Página xv
... Aesthetic Inquiry in Antiquity: Matter, Experience, and the Sublime (forthcoming), and is at work on a sequel volume, Literary Aesthetics after Aristotle, in addition to a study on the reception of Homer from antiquity to the present ...
... Aesthetic Inquiry in Antiquity: Matter, Experience, and the Sublime (forthcoming), and is at work on a sequel volume, Literary Aesthetics after Aristotle, in addition to a study on the reception of Homer from antiquity to the present ...
Página 2
... , a.k.a. covert Marxism, or of ignoring the text); emphasizing the formal and aesthetic or 'transhistorical' relationships between the ante-text and its receptions (challenged for ignoring 2 Lorna Hardwick and Christopher Stray.
... , a.k.a. covert Marxism, or of ignoring the text); emphasizing the formal and aesthetic or 'transhistorical' relationships between the ante-text and its receptions (challenged for ignoring 2 Lorna Hardwick and Christopher Stray.
Página 4
... aesthetic and ideological trends outside academia and to view these alongside practice in art, literature, theatre and public discourse. So we hope that readers of this collection will want to create their own dialogues and debates ...
... aesthetic and ideological trends outside academia and to view these alongside practice in art, literature, theatre and public discourse. So we hope that readers of this collection will want to create their own dialogues and debates ...
Página 8
... aesthetic judgements and social values and practices and contributing to the volume's discussion of physicality and the body. In a further foray across discipline boundaries, Rosalind Hursthouse then discusses the development of virtue ...
... aesthetic judgements and social values and practices and contributing to the volume's discussion of physicality and the body. In a further foray across discipline boundaries, Rosalind Hursthouse then discusses the development of virtue ...
Página 19
... aesthetic of traditionality with an emphasis on audience response (e.g. Nagy 1999; J.M. Foley 1999; Scodel 2002). What remains a largely unresolved problem is Homer's relationship with other, earlier literatures in the ancient ...
... aesthetic of traditionality with an emphasis on audience response (e.g. Nagy 1999; J.M. Foley 1999; Scodel 2002). What remains a largely unresolved problem is Homer's relationship with other, earlier literatures in the ancient ...
Contenido
13 | |
26 | |
50 | |
Canon Class and Ideology | 75 |
the Uses of Classics in Trinidad in the 1950s and 1960s | 98 |
The Case | 129 |
The Arab | 141 |
Translating the Classical Play | 153 |
Pylades wearing a steeplecrowned clowns hat Clytemnestra | 282 |
Aristophanes between Israelis and Palestinians | 287 |
reconstruction | 292 |
Theories and Methodologies | 303 |
The Cyclops and the Gods | 315 |
Film as a Teaching Tool for the Classics | 327 |
Game 1992 directed by Neil Jordan | 329 |
The Politics of Ruins in Roma capitale | 345 |
Lost in Translation? The Problem of Aristophanic Humour | 168 |
André Gides Rewriting of Myth | 185 |
Feminist Models of Reception | 195 |
Moses and Monotheism and | 207 |
Canonization and Periodization | 219 |
Apolline and Dionysiac | 231 |
Body and Mask in Performances of Classical Drama on | 259 |
Oedipus Rex directed by Tyrone Guthrie in 1955 | 263 |
A Case | 274 |
The 1903 Athenian | 360 |
Greek Drama in South Africa | 373 |
Putting the Class into Classical Reception | 386 |
Images of the Odyssey in the Art | 401 |
Future Prospects | 469 |
Bibliography | 482 |
Index | 533 |
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Achilles actors Aeschylus aesthetic African Afrikaans ancient Greek ancient world Antigone antiquity Arab Aristophanes Aristotle Aristotle’s artistic Athenian Athens audience body canonical century chapter character chorus cinematic classical past classical reception classicists Classics and film comedy contemporary context critical Crying Game cultural Cyclops debate Dionysus discussion drama Elektra English epic episode Euripides example feminist Fergus figure film’s Freud Gladstone gods Greece Greek and Roman Greek tragedy Hardwick hero Homer human humour Iliad Israeli Katharevousa language Latin literary literature Lysistrata mask Medea Mistriotes modern moral myth narrative Odysseus Oedipus Oresteia Orestes original performance Persian Phaeacians philosophers photographs Plato play poem poetic poetry poets political Poseidon present production Prometheus question Raffaello Sanzio reception studies reception theory relationship rhetoric role Rome Rome’s scholars scholarship Socrates Sophocles stage story Symonds theatre themes theory tion translation Ulysses Virgil virtue ethics Walcott’s Williams’s words