A Companion to Classical ReceptionsLorna Hardwick, Christopher Stray John Wiley & Sons, 2011 M04 12 - 560 páginas Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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Página xii
... Century (1996). She is also the editor of Roman Presences: Receptions of Rome in European Culture 1789–1945 (1999). Chris Emlyn-Jones is Emeritus Professor in Classical Studies at the Open University, Milton Keynes. Publications include ...
... Century (1996). She is also the editor of Roman Presences: Receptions of Rome in European Culture 1789–1945 (1999). Chris Emlyn-Jones is Emeritus Professor in Classical Studies at the Open University, Milton Keynes. Publications include ...
Página xiii
... Century: Between World Literature and Western Canon (2007) and, with Elizabeth Irwin, of Reading Herodotus: Studies in the Logoi of Book 5 (2007). Her latest book Afro-Greeks: Dialogues between Caribbean Literature and Classics in the ...
... Century: Between World Literature and Western Canon (2007) and, with Elizabeth Irwin, of Reading Herodotus: Studies in the Logoi of Book 5 (2007). Her latest book Afro-Greeks: Dialogues between Caribbean Literature and Classics in the ...
Página 14
... century leaves a mixed impression. Murray's book in particular reads with hindsight as a blend of sensitive analysis ... century bce). Anacreon's output is only preserved in fragments, with few complete poems. What is preserved fully ...
... century leaves a mixed impression. Murray's book in particular reads with hindsight as a blend of sensitive analysis ... century bce). Anacreon's output is only preserved in fragments, with few complete poems. What is preserved fully ...
Página 26
... century bce and, in the ancient sources, describes the author not just of the Iliad and the Odyssey but sometimes also of other poems: for example, the Homeric Hymns, the epics of the Theban and the Trojan cycle, The Capture of Oechalia ...
... century bce and, in the ancient sources, describes the author not just of the Iliad and the Odyssey but sometimes also of other poems: for example, the Homeric Hymns, the epics of the Theban and the Trojan cycle, The Capture of Oechalia ...
Página 27
... century (on 'Nestor's Cup', see e.g. Farrell 2004:256). It reached the Romans through the Greeks of southern Italy and the Etruscans, as well as through a direct engagement with the Iliad and the Odyssey. As a result, scholars have ...
... century (on 'Nestor's Cup', see e.g. Farrell 2004:256). It reached the Romans through the Greeks of southern Italy and the Etruscans, as well as through a direct engagement with the Iliad and the Odyssey. As a result, scholars have ...
Contenido
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Canon Class and Ideology | 75 |
the Uses of Classics in Trinidad in the 1950s and 1960s | 98 |
The Case | 129 |
The Arab | 141 |
Translating the Classical Play | 153 |
Pylades wearing a steeplecrowned clowns hat Clytemnestra | 282 |
Aristophanes between Israelis and Palestinians | 287 |
reconstruction | 292 |
Theories and Methodologies | 303 |
The Cyclops and the Gods | 315 |
Film as a Teaching Tool for the Classics | 327 |
Game 1992 directed by Neil Jordan | 329 |
The Politics of Ruins in Roma capitale | 345 |
Lost in Translation? The Problem of Aristophanic Humour | 168 |
André Gides Rewriting of Myth | 185 |
Feminist Models of Reception | 195 |
Moses and Monotheism and | 207 |
Canonization and Periodization | 219 |
Apolline and Dionysiac | 231 |
Body and Mask in Performances of Classical Drama on | 259 |
Oedipus Rex directed by Tyrone Guthrie in 1955 | 263 |
A Case | 274 |
The 1903 Athenian | 360 |
Greek Drama in South Africa | 373 |
Putting the Class into Classical Reception | 386 |
Images of the Odyssey in the Art | 401 |
Future Prospects | 469 |
Bibliography | 482 |
Index | 533 |
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Achilles actors Aeschylus aesthetic African Afrikaans ancient Greek ancient world Antigone antiquity Arab Aristophanes Aristotle Aristotle’s artistic Athenian Athens audience body canonical century chapter character chorus cinematic classical past classical reception classicists Classics and film comedy contemporary context critical Crying Game cultural Cyclops debate Dionysus discussion drama Elektra English epic episode Euripides example feminist Fergus figure film’s Freud Gladstone gods Greece Greek and Roman Greek tragedy Hardwick hero Homer human humour Iliad Israeli Katharevousa language Latin literary literature Lysistrata mask Medea Mistriotes modern moral myth narrative Odysseus Oedipus Oresteia Orestes original performance Persian Phaeacians philosophers photographs Plato play poem poetic poetry poets political Poseidon present production Prometheus question Raffaello Sanzio reception studies reception theory relationship rhetoric role Rome Rome’s scholars scholarship Socrates Sophocles stage story Symonds theatre themes theory tion translation Ulysses Virgil virtue ethics Walcott’s Williams’s words