A Companion to Classical ReceptionsLorna Hardwick, Christopher Stray John Wiley & Sons, 2011 M04 12 - 560 páginas Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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Página 4
... classical tradition and classical reception are conceptualized and evaluated. The term 'the classical tradition' has in the past been used to focus on the transmission and dissemination of classical culture through the ages, usually ...
... classical tradition and classical reception are conceptualized and evaluated. The term 'the classical tradition' has in the past been used to focus on the transmission and dissemination of classical culture through the ages, usually ...
Página 7
... ancient world. Miriam Leonard examines the relationship between history and theory, arguing for theory to be firmly grounded in the historical contexts in which it originates and to be tested in those to which it is applied. In her case ...
... ancient world. Miriam Leonard examines the relationship between history and theory, arguing for theory to be firmly grounded in the historical contexts in which it originates and to be tested in those to which it is applied. In her case ...
Página 17
... past as such is undeniable. Anacreon is not transported onto Cowley's desk or to Cowley's period by a time machine (and the same is of course true for our reading of Anacreon or Cowley today). Renaissance or modern engagements with ...
... past as such is undeniable. Anacreon is not transported onto Cowley's desk or to Cowley's period by a time machine (and the same is of course true for our reading of Anacreon or Cowley today). Renaissance or modern engagements with ...
Página 26
... ancient sources, describes the author not just of the Iliad and the Odyssey ... ancient Greece and Rome. It is clear that many poems were composed after the ... past. The issue remains alive when approaching Roman receptions of Homer ...
... ancient sources, describes the author not just of the Iliad and the Odyssey ... ancient Greece and Rome. It is clear that many poems were composed after the ... past. The issue remains alive when approaching Roman receptions of Homer ...
Página 33
... past (Friis Johansen 1967: esp. 223–30; Kannicht 1982; Snodgrass 1998). But even when the Homeric models are clearly recognizable, images often speak of a wider and remote past which is not contained within a Homeric allusion: Lilian ...
... past (Friis Johansen 1967: esp. 223–30; Kannicht 1982; Snodgrass 1998). But even when the Homeric models are clearly recognizable, images often speak of a wider and remote past which is not contained within a Homeric allusion: Lilian ...
Contenido
13 | |
26 | |
50 | |
Canon Class and Ideology | 75 |
the Uses of Classics in Trinidad in the 1950s and 1960s | 98 |
The Case | 129 |
The Arab | 141 |
Translating the Classical Play | 153 |
Pylades wearing a steeplecrowned clowns hat Clytemnestra | 282 |
Aristophanes between Israelis and Palestinians | 287 |
reconstruction | 292 |
Theories and Methodologies | 303 |
The Cyclops and the Gods | 315 |
Film as a Teaching Tool for the Classics | 327 |
Game 1992 directed by Neil Jordan | 329 |
The Politics of Ruins in Roma capitale | 345 |
Lost in Translation? The Problem of Aristophanic Humour | 168 |
André Gides Rewriting of Myth | 185 |
Feminist Models of Reception | 195 |
Moses and Monotheism and | 207 |
Canonization and Periodization | 219 |
Apolline and Dionysiac | 231 |
Body and Mask in Performances of Classical Drama on | 259 |
Oedipus Rex directed by Tyrone Guthrie in 1955 | 263 |
A Case | 274 |
The 1903 Athenian | 360 |
Greek Drama in South Africa | 373 |
Putting the Class into Classical Reception | 386 |
Images of the Odyssey in the Art | 401 |
Future Prospects | 469 |
Bibliography | 482 |
Index | 533 |
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Achilles actors Aeschylus aesthetic African Afrikaans ancient Greek ancient world Antigone antiquity Arab Aristophanes Aristotle Aristotle’s artistic Athenian Athens audience body canonical century chapter character chorus cinematic classical past classical reception classicists Classics and film comedy contemporary context critical Crying Game cultural Cyclops debate Dionysus discussion drama Elektra English epic episode Euripides example feminist Fergus figure film’s Freud Gladstone gods Greece Greek and Roman Greek tragedy Hardwick hero Homer human humour Iliad Israeli Katharevousa language Latin literary literature Lysistrata mask Medea Mistriotes modern moral myth narrative Odysseus Oedipus Oresteia Orestes original performance Persian Phaeacians philosophers photographs Plato play poem poetic poetry poets political Poseidon present production Prometheus question Raffaello Sanzio reception studies reception theory relationship rhetoric role Rome Rome’s scholars scholarship Socrates Sophocles stage story Symonds theatre themes theory tion translation Ulysses Virgil virtue ethics Walcott’s Williams’s words