A Companion to Classical ReceptionsLorna Hardwick, Christopher Stray John Wiley & Sons, 2011 M04 12 - 560 páginas Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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Dentro del libro
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Página xvi
... of the Performance Translation Centre. He was General Editor of Methuen Classical Dramatists from 1988 to 2002, a series which included the whole of Greek Tragedy and Comedy in translation in xvi Notes on Contributors.
... of the Performance Translation Centre. He was General Editor of Methuen Classical Dramatists from 1988 to 2002, a series which included the whole of Greek Tragedy and Comedy in translation in xvi Notes on Contributors.
Página xvii
Lorna Hardwick, Christopher Stray. the whole of Greek Tragedy and Comedy in translation in thirteen volumes, with three further compilations including one of Roman Comedy. Twelve of his translations (several in collaboration with ...
Lorna Hardwick, Christopher Stray. the whole of Greek Tragedy and Comedy in translation in thirteen volumes, with three further compilations including one of Roman Comedy. Twelve of his translations (several in collaboration with ...
Página 6
... comedy. Using the concepts and methods of translation studies research, he examines how Aristophanes' humour has been represented to different readers and audiences. Part IV discusses the theory and practice of reception and provides an ...
... comedy. Using the concepts and methods of translation studies research, he examines how Aristophanes' humour has been represented to different readers and audiences. Part IV discusses the theory and practice of reception and provides an ...
Página 38
... comedy, could be called to a greater or lesser extent 'theatre' or 'drama', in the sense that it was performed, formally or informally, before an audience, Plato's criticism could hardly be more wide-ranging in its application. The ...
... comedy, could be called to a greater or lesser extent 'theatre' or 'drama', in the sense that it was performed, formally or informally, before an audience, Plato's criticism could hardly be more wide-ranging in its application. The ...
Página 39
... comedy (Gould 1992: 24–5). Moreover, it is important to remember that our perspective on Plato is not that of most of his contemporaries. In the broader picture of fourth-century Athenian culture and politics, Plato's elite cultural ...
... comedy (Gould 1992: 24–5). Moreover, it is important to remember that our perspective on Plato is not that of most of his contemporaries. In the broader picture of fourth-century Athenian culture and politics, Plato's elite cultural ...
Contenido
13 | |
26 | |
50 | |
Canon Class and Ideology | 75 |
the Uses of Classics in Trinidad in the 1950s and 1960s | 98 |
The Case | 129 |
The Arab | 141 |
Translating the Classical Play | 153 |
Pylades wearing a steeplecrowned clowns hat Clytemnestra | 282 |
Aristophanes between Israelis and Palestinians | 287 |
reconstruction | 292 |
Theories and Methodologies | 303 |
The Cyclops and the Gods | 315 |
Film as a Teaching Tool for the Classics | 327 |
Game 1992 directed by Neil Jordan | 329 |
The Politics of Ruins in Roma capitale | 345 |
Lost in Translation? The Problem of Aristophanic Humour | 168 |
André Gides Rewriting of Myth | 185 |
Feminist Models of Reception | 195 |
Moses and Monotheism and | 207 |
Canonization and Periodization | 219 |
Apolline and Dionysiac | 231 |
Body and Mask in Performances of Classical Drama on | 259 |
Oedipus Rex directed by Tyrone Guthrie in 1955 | 263 |
A Case | 274 |
The 1903 Athenian | 360 |
Greek Drama in South Africa | 373 |
Putting the Class into Classical Reception | 386 |
Images of the Odyssey in the Art | 401 |
Future Prospects | 469 |
Bibliography | 482 |
Index | 533 |
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Achilles actors Aeschylus aesthetic African Afrikaans ancient Greek ancient world Antigone antiquity Arab Aristophanes Aristotle Aristotle’s artistic Athenian Athens audience body canonical century chapter character chorus cinematic classical past classical reception classicists Classics and film comedy contemporary context critical Crying Game cultural Cyclops debate Dionysus discussion drama Elektra English epic episode Euripides example feminist Fergus figure film’s Freud Gladstone gods Greece Greek and Roman Greek tragedy Hardwick hero Homer human humour Iliad Israeli Katharevousa language Latin literary literature Lysistrata mask Medea Mistriotes modern moral myth narrative Odysseus Oedipus Oresteia Orestes original performance Persian Phaeacians philosophers photographs Plato play poem poetic poetry poets political Poseidon present production Prometheus question Raffaello Sanzio reception studies reception theory relationship rhetoric role Rome Rome’s scholars scholarship Socrates Sophocles stage story Symonds theatre themes theory tion translation Ulysses Virgil virtue ethics Walcott’s Williams’s words