A Companion to Classical ReceptionsLorna Hardwick, Christopher Stray John Wiley & Sons, 2011 M04 12 - 560 páginas Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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... critical analysis, and contextualisation in this collection to warrant the claim that it provides a sophisticated and far-ranging overview of this burgeoning and dynamic field.” Scholia From antiquity to the present, Greek and Roman ...
... critical analysis, and contextualisation in this collection to warrant the claim that it provides a sophisticated and far-ranging overview of this burgeoning and dynamic field.” Scholia From antiquity to the present, Greek and Roman ...
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... critical analysis, and contextualisation in this collection to warrant the claim that it provides a sophisticated and far-ranging overview of this burgeoning and dynamic field.” Scholia BLACKWELL COMPANIONS TO THE ANCIENT WORLD This ...
... critical analysis, and contextualisation in this collection to warrant the claim that it provides a sophisticated and far-ranging overview of this burgeoning and dynamic field.” Scholia BLACKWELL COMPANIONS TO THE ANCIENT WORLD This ...
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... critically aware of their own by identifying and exploring some of the correspondences that will promote debate. The cultural politics that is never far from reception analysis has been an underlying strand in a number of chapters and ...
... critically aware of their own by identifying and exploring some of the correspondences that will promote debate. The cultural politics that is never far from reception analysis has been an underlying strand in a number of chapters and ...
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... critical terms, 'tradition' and 'reception' are most effective when they are tailored from case to case. This is not to say that there are no general points to be made, and we will indeed make some such points; but we believe that it is ...
... critical terms, 'tradition' and 'reception' are most effective when they are tailored from case to case. This is not to say that there are no general points to be made, and we will indeed make some such points; but we believe that it is ...
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... critical pursuits. This volume demonstrates just how wide a term 'reception' is, and here we have tried to adumbrate the similarly broad range of 'tradition'. Such flexibility can be challenging in practice. It requires changes in ...
... critical pursuits. This volume demonstrates just how wide a term 'reception' is, and here we have tried to adumbrate the similarly broad range of 'tradition'. Such flexibility can be challenging in practice. It requires changes in ...
Contenido
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50 | |
Canon Class and Ideology | 75 |
the Uses of Classics in Trinidad in the 1950s and 1960s | 98 |
The Case | 129 |
The Arab | 141 |
Translating the Classical Play | 153 |
Pylades wearing a steeplecrowned clowns hat Clytemnestra | 282 |
Aristophanes between Israelis and Palestinians | 287 |
reconstruction | 292 |
Theories and Methodologies | 303 |
The Cyclops and the Gods | 315 |
Film as a Teaching Tool for the Classics | 327 |
Game 1992 directed by Neil Jordan | 329 |
The Politics of Ruins in Roma capitale | 345 |
Lost in Translation? The Problem of Aristophanic Humour | 168 |
André Gides Rewriting of Myth | 185 |
Feminist Models of Reception | 195 |
Moses and Monotheism and | 207 |
Canonization and Periodization | 219 |
Apolline and Dionysiac | 231 |
Body and Mask in Performances of Classical Drama on | 259 |
Oedipus Rex directed by Tyrone Guthrie in 1955 | 263 |
A Case | 274 |
The 1903 Athenian | 360 |
Greek Drama in South Africa | 373 |
Putting the Class into Classical Reception | 386 |
Images of the Odyssey in the Art | 401 |
Future Prospects | 469 |
Bibliography | 482 |
Index | 533 |
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Achilles actors Aeschylus aesthetic African Afrikaans ancient Greek ancient world Antigone antiquity Arab Aristophanes Aristotle Aristotle’s artistic Athenian Athens audience body canonical century chapter character chorus cinematic classical past classical reception classicists Classics and film comedy contemporary context critical Crying Game cultural Cyclops debate Dionysus discussion drama Elektra English epic episode Euripides example feminist Fergus figure film’s Freud Gladstone gods Greece Greek and Roman Greek tragedy Hardwick hero Homer human humour Iliad Israeli Katharevousa language Latin literary literature Lysistrata mask Medea Mistriotes modern moral myth narrative Odysseus Oedipus Oresteia Orestes original performance Persian Phaeacians philosophers photographs Plato play poem poetic poetry poets political Poseidon present production Prometheus question Raffaello Sanzio reception studies reception theory relationship rhetoric role Rome Rome’s scholars scholarship Socrates Sophocles stage story Symonds theatre themes theory tion translation Ulysses Virgil virtue ethics Walcott’s Williams’s words