A Companion to Classical ReceptionsLorna Hardwick, Christopher Stray John Wiley & Sons, 2011 M04 12 - 560 páginas Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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... cultural history and its reception in modern theatre and literature include Translating Words, Translating Cultures (2000), New Surveys in the Classics: Reception Studies (2003) and (co-edited with Carol Gillespie) Classics in Post ...
... cultural history and its reception in modern theatre and literature include Translating Words, Translating Cultures (2000), New Surveys in the Classics: Reception Studies (2003) and (co-edited with Carol Gillespie) Classics in Post ...
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... Cultural Politics Possessing Rome: The Politics of Ruins in Roma capitale Catharine Edwards 'You unleash the tempest of tragedy': The 1903 Athenian Production of Aeschylus' Oresteia Gonda Van Steen Multicultural Reception: Greek Drama ...
... Cultural Politics Possessing Rome: The Politics of Ruins in Roma capitale Catharine Edwards 'You unleash the tempest of tragedy': The 1903 Athenian Production of Aeschylus' Oresteia Gonda Van Steen Multicultural Reception: Greek Drama ...
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... cultural history and its reception in modern theatre and literature, including Translating Words, Translating Cultures (2000) and New Surveys in the Classics: Reception Studies (2003). She is particularly interested in how Greek and ...
... cultural history and its reception in modern theatre and literature, including Translating Words, Translating Cultures (2000) and New Surveys in the Classics: Reception Studies (2003). She is particularly interested in how Greek and ...
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... cultural identity. By 'receptions' we mean the ways in which Greek and Roman material has been transmitted ... cultural diversity of the ancient Mediterranean context (Davies 2002; Morris 1992; West 1997). The Romans not only drew on and ...
... cultural identity. By 'receptions' we mean the ways in which Greek and Roman material has been transmitted ... cultural diversity of the ancient Mediterranean context (Davies 2002; Morris 1992; West 1997). The Romans not only drew on and ...
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... cultural materialism, a.k.a. covert Marxism, or of ignoring the text); emphasizing the formal and aesthetic or 'transhistorical' relationships between the ante-text and its receptions (challenged for ignoring 2 Lorna Hardwick and ...
... cultural materialism, a.k.a. covert Marxism, or of ignoring the text); emphasizing the formal and aesthetic or 'transhistorical' relationships between the ante-text and its receptions (challenged for ignoring 2 Lorna Hardwick and ...
Contenido
13 | |
26 | |
50 | |
Canon Class and Ideology | 75 |
the Uses of Classics in Trinidad in the 1950s and 1960s | 98 |
The Case | 129 |
The Arab | 141 |
Translating the Classical Play | 153 |
Pylades wearing a steeplecrowned clowns hat Clytemnestra | 282 |
Aristophanes between Israelis and Palestinians | 287 |
reconstruction | 292 |
Theories and Methodologies | 303 |
The Cyclops and the Gods | 315 |
Film as a Teaching Tool for the Classics | 327 |
Game 1992 directed by Neil Jordan | 329 |
The Politics of Ruins in Roma capitale | 345 |
Lost in Translation? The Problem of Aristophanic Humour | 168 |
André Gides Rewriting of Myth | 185 |
Feminist Models of Reception | 195 |
Moses and Monotheism and | 207 |
Canonization and Periodization | 219 |
Apolline and Dionysiac | 231 |
Body and Mask in Performances of Classical Drama on | 259 |
Oedipus Rex directed by Tyrone Guthrie in 1955 | 263 |
A Case | 274 |
The 1903 Athenian | 360 |
Greek Drama in South Africa | 373 |
Putting the Class into Classical Reception | 386 |
Images of the Odyssey in the Art | 401 |
Future Prospects | 469 |
Bibliography | 482 |
Index | 533 |
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Achilles actors Aeschylus aesthetic African Afrikaans ancient Greek ancient world Antigone antiquity Arab Aristophanes Aristotle Aristotle’s artistic Athenian Athens audience body canonical century chapter character chorus cinematic classical past classical reception classicists Classics and film comedy contemporary context critical Crying Game cultural Cyclops debate Dionysus discussion drama Elektra English epic episode Euripides example feminist Fergus figure film’s Freud Gladstone gods Greece Greek and Roman Greek tragedy Hardwick hero Homer human humour Iliad Israeli Katharevousa language Latin literary literature Lysistrata mask Medea Mistriotes modern moral myth narrative Odysseus Oedipus Oresteia Orestes original performance Persian Phaeacians philosophers photographs Plato play poem poetic poetry poets political Poseidon present production Prometheus question Raffaello Sanzio reception studies reception theory relationship rhetoric role Rome Rome’s scholars scholarship Socrates Sophocles stage story Symonds theatre themes theory tion translation Ulysses Virgil virtue ethics Walcott’s Williams’s words