A Companion to Classical ReceptionsLorna Hardwick, Christopher Stray John Wiley & Sons, 2011 M04 12 - 560 páginas Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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Página 1
... example) India or to the cultures of the ancient near east and their receptions. Neither have we attempted to probe the conception of the 'classic' in general in its relationship to matrices of receptions (for an approach to the last ...
... example) India or to the cultures of the ancient near east and their receptions. Neither have we attempted to probe the conception of the 'classic' in general in its relationship to matrices of receptions (for an approach to the last ...
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... examples from outside our own immediate areas of knowledge. This also entails a willingness to look at possible ... example, other volumes in the Companions series discuss a variety of contexts and insights for classical receptions ...
... examples from outside our own immediate areas of knowledge. This also entails a willingness to look at possible ... example, other volumes in the Companions series discuss a variety of contexts and insights for classical receptions ...
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... example, it has been suggested that tradition becomes reception when alternative modes of interpretation and transmission are not only recognized but are positively expected to contest and change how classical material is perceived and ...
... example, it has been suggested that tradition becomes reception when alternative modes of interpretation and transmission are not only recognized but are positively expected to contest and change how classical material is perceived and ...
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... example will be a poem of unknown date by Abraham Cowley (1618–1667), published among his 1656 Miscellanies as one of eight 'Anacreontiques: or, Some Copies of Verses Translated Paraphrastically out of Anacreon'. Drinking The thirsty ...
... example will be a poem of unknown date by Abraham Cowley (1618–1667), published among his 1656 Miscellanies as one of eight 'Anacreontiques: or, Some Copies of Verses Translated Paraphrastically out of Anacreon'. Drinking The thirsty ...
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... example, even the role of Weckherlin is unclear. Moreover, we may ask which other Anacreontic poems Cowley was familiar with, and what drinking songs more broadly. What other poems may have shaped his habits? What anti-puritan jokes? We ...
... example, even the role of Weckherlin is unclear. Moreover, we may ask which other Anacreontic poems Cowley was familiar with, and what drinking songs more broadly. What other poems may have shaped his habits? What anti-puritan jokes? We ...
Contenido
13 | |
26 | |
50 | |
Canon Class and Ideology | 75 |
the Uses of Classics in Trinidad in the 1950s and 1960s | 98 |
The Case | 129 |
The Arab | 141 |
Translating the Classical Play | 153 |
Pylades wearing a steeplecrowned clowns hat Clytemnestra | 282 |
Aristophanes between Israelis and Palestinians | 287 |
reconstruction | 292 |
Theories and Methodologies | 303 |
The Cyclops and the Gods | 315 |
Film as a Teaching Tool for the Classics | 327 |
Game 1992 directed by Neil Jordan | 329 |
The Politics of Ruins in Roma capitale | 345 |
Lost in Translation? The Problem of Aristophanic Humour | 168 |
André Gides Rewriting of Myth | 185 |
Feminist Models of Reception | 195 |
Moses and Monotheism and | 207 |
Canonization and Periodization | 219 |
Apolline and Dionysiac | 231 |
Body and Mask in Performances of Classical Drama on | 259 |
Oedipus Rex directed by Tyrone Guthrie in 1955 | 263 |
A Case | 274 |
The 1903 Athenian | 360 |
Greek Drama in South Africa | 373 |
Putting the Class into Classical Reception | 386 |
Images of the Odyssey in the Art | 401 |
Future Prospects | 469 |
Bibliography | 482 |
Index | 533 |
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Achilles actors Aeschylus aesthetic African Afrikaans ancient Greek ancient world Antigone antiquity Arab Aristophanes Aristotle Aristotle’s artistic Athenian Athens audience body canonical century chapter character chorus cinematic classical past classical reception classicists Classics and film comedy contemporary context critical Crying Game cultural Cyclops debate Dionysus discussion drama Elektra English epic episode Euripides example feminist Fergus figure film’s Freud Gladstone gods Greece Greek and Roman Greek tragedy Hardwick hero Homer human humour Iliad Israeli Katharevousa language Latin literary literature Lysistrata mask Medea Mistriotes modern moral myth narrative Odysseus Oedipus Oresteia Orestes original performance Persian Phaeacians philosophers photographs Plato play poem poetic poetry poets political Poseidon present production Prometheus question Raffaello Sanzio reception studies reception theory relationship rhetoric role Rome Rome’s scholars scholarship Socrates Sophocles stage story Symonds theatre themes theory tion translation Ulysses Virgil virtue ethics Walcott’s Williams’s words