A Companion to Classical ReceptionsLorna Hardwick, Christopher Stray John Wiley & Sons, 2011 M04 12 - 560 páginas Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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Dentro del libro
Resultados 1-5 de 54
Página vii
... Film 23 24 25 Part VII 26 27 28 29 Working with Film: Theories and Methodologies Joanna Paul The Odyssey from Homer to NBC: The Cyclops and the Gods Hanna M. Roisman A New Hope: Film as a Teaching Tool for the Classics Marianne McDonald ...
... Film 23 24 25 Part VII 26 27 28 29 Working with Film: Theories and Methodologies Joanna Paul The Odyssey from Homer to NBC: The Cyclops and the Gods Hanna M. Roisman A New Hope: Film as a Teaching Tool for the Classics Marianne McDonald ...
Página xi
... Film and Media at Anglia Ruskin University, Cambridge, England. As well as numerous articles and chapters on various aspects of classical reception, she is the author of The Metamorphosis of Ovid: From Chaucer to Ted Hughes (1999) and ...
... Film and Media at Anglia Ruskin University, Cambridge, England. As well as numerous articles and chapters on various aspects of classical reception, she is the author of The Metamorphosis of Ovid: From Chaucer to Ted Hughes (1999) and ...
Página xv
... Film and the classical epic tradition', at the University of Bristol in 2005. She is publishing articles on various aspects of cinematic receptions of antiquity, including adaptation and translation, and the films of Federico Fellini ...
... Film and the classical epic tradition', at the University of Bristol in 2005. She is publishing articles on various aspects of cinematic receptions of antiquity, including adaptation and translation, and the films of Federico Fellini ...
Página xvi
... Film and Visual Arts at the University of Kent, Canterbury. She has a number of publications including 'Research on the Ancient Mask', Didaskalia (2004) and 'The use of Mask in Koun's stage interpretations of Birds, Frogs and Peace' in ...
... Film and Visual Arts at the University of Kent, Canterbury. She has a number of publications including 'Research on the Ancient Mask', Didaskalia (2004) and 'The use of Mask in Koun's stage interpretations of Birds, Frogs and Peace' in ...
Página 7
... film. The chapters by Joanna Paul and Hanna Roisman should stimulate debate because of their different starting points and the contrasts in their methods of identifying and evaluating the relationship between modern films and the ...
... film. The chapters by Joanna Paul and Hanna Roisman should stimulate debate because of their different starting points and the contrasts in their methods of identifying and evaluating the relationship between modern films and the ...
Contenido
13 | |
26 | |
50 | |
Canon Class and Ideology | 75 |
the Uses of Classics in Trinidad in the 1950s and 1960s | 98 |
The Case | 129 |
The Arab | 141 |
Translating the Classical Play | 153 |
Pylades wearing a steeplecrowned clowns hat Clytemnestra | 282 |
Aristophanes between Israelis and Palestinians | 287 |
reconstruction | 292 |
Theories and Methodologies | 303 |
The Cyclops and the Gods | 315 |
Film as a Teaching Tool for the Classics | 327 |
Game 1992 directed by Neil Jordan | 329 |
The Politics of Ruins in Roma capitale | 345 |
Lost in Translation? The Problem of Aristophanic Humour | 168 |
André Gides Rewriting of Myth | 185 |
Feminist Models of Reception | 195 |
Moses and Monotheism and | 207 |
Canonization and Periodization | 219 |
Apolline and Dionysiac | 231 |
Body and Mask in Performances of Classical Drama on | 259 |
Oedipus Rex directed by Tyrone Guthrie in 1955 | 263 |
A Case | 274 |
The 1903 Athenian | 360 |
Greek Drama in South Africa | 373 |
Putting the Class into Classical Reception | 386 |
Images of the Odyssey in the Art | 401 |
Future Prospects | 469 |
Bibliography | 482 |
Index | 533 |
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Términos y frases comunes
Achilles actors Aeschylus aesthetic African Afrikaans ancient Greek ancient world Antigone antiquity Arab Aristophanes Aristotle Aristotle’s artistic Athenian Athens audience body canonical century chapter character chorus cinematic classical past classical reception classicists Classics and film comedy contemporary context critical Crying Game cultural Cyclops debate Dionysus discussion drama Elektra English epic episode Euripides example feminist Fergus figure film’s Freud Gladstone gods Greece Greek and Roman Greek tragedy Hardwick hero Homer human humour Iliad Israeli Katharevousa language Latin literary literature Lysistrata mask Medea Mistriotes modern moral myth narrative Odysseus Oedipus Oresteia Orestes original performance Persian Phaeacians philosophers photographs Plato play poem poetic poetry poets political Poseidon present production Prometheus question Raffaello Sanzio reception studies reception theory relationship rhetoric role Rome Rome’s scholars scholarship Socrates Sophocles stage story Symonds theatre themes theory tion translation Ulysses Virgil virtue ethics Walcott’s Williams’s words