A Companion to Classical ReceptionsLorna Hardwick, Christopher Stray John Wiley & Sons, 2011 M04 12 - 560 páginas Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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Dentro del libro
Resultados 1-5 de 65
Página vii
... Gods Hanna M. Roisman A New Hope: Film as a Teaching Tool for the Classics Marianne McDonald Cultural Politics Possessing Rome: The Politics of Ruins in Roma capitale Catharine Edwards 'You unleash the tempest of tragedy': The 1903 ...
... Gods Hanna M. Roisman A New Hope: Film as a Teaching Tool for the Classics Marianne McDonald Cultural Politics Possessing Rome: The Politics of Ruins in Roma capitale Catharine Edwards 'You unleash the tempest of tragedy': The 1903 ...
Página ix
... God. 1977: collage with mixed media on board (frontispiece) Odysseus Leaves Circe. 1977: collage on masonite The masked figures of Oedipus and the chorus in the production of Oedipus Rex, directed by Tyrone Guthrie in 1955 Drawing ...
... God. 1977: collage with mixed media on board (frontispiece) Odysseus Leaves Circe. 1977: collage on masonite The masked figures of Oedipus and the chorus in the production of Oedipus Rex, directed by Tyrone Guthrie in 1955 Drawing ...
Página xviii
... fruition. Special thanks to Carol Gillespie for her invaluable help at all stages of the work, and especially for keeping the contributors happy and the editors sane. Figure 0.1 The Sea God. 1977. Collage with mixed media Acknowledgements.
... fruition. Special thanks to Carol Gillespie for her invaluable help at all stages of the work, and especially for keeping the contributors happy and the editors sane. Figure 0.1 The Sea God. 1977. Collage with mixed media Acknowledgements.
Página xix
Lorna Hardwick, Christopher Stray. Figure 0.1 The Sea God. 1977. Collage with mixed media on board. Photograph courtesy of Romare Bearden Foundation. Art © Romare Bearden/Licensed by VAGA, New York, NY Introduction: Making Connections Lorna ...
Lorna Hardwick, Christopher Stray. Figure 0.1 The Sea God. 1977. Collage with mixed media on board. Photograph courtesy of Romare Bearden Foundation. Art © Romare Bearden/Licensed by VAGA, New York, NY Introduction: Making Connections Lorna ...
Página 20
... gods as descendants of Uranus (= 'Sky”). The only exception to this view is a passage from the Iliad where Oceanus and Tethys are described as the ancestors of the gods (Homer, Iliad 14.197–205): Tnv 68 Soko()govéouco toooom60. Tótvlo ...
... gods as descendants of Uranus (= 'Sky”). The only exception to this view is a passage from the Iliad where Oceanus and Tethys are described as the ancestors of the gods (Homer, Iliad 14.197–205): Tnv 68 Soko()govéouco toooom60. Tótvlo ...
Contenido
13 | |
26 | |
50 | |
Canon Class and Ideology | 75 |
the Uses of Classics in Trinidad in the 1950s and 1960s | 98 |
The Case | 129 |
The Arab | 141 |
Translating the Classical Play | 153 |
Pylades wearing a steeplecrowned clowns hat Clytemnestra | 282 |
Aristophanes between Israelis and Palestinians | 287 |
reconstruction | 292 |
Theories and Methodologies | 303 |
The Cyclops and the Gods | 315 |
Film as a Teaching Tool for the Classics | 327 |
Game 1992 directed by Neil Jordan | 329 |
The Politics of Ruins in Roma capitale | 345 |
Lost in Translation? The Problem of Aristophanic Humour | 168 |
André Gides Rewriting of Myth | 185 |
Feminist Models of Reception | 195 |
Moses and Monotheism and | 207 |
Canonization and Periodization | 219 |
Apolline and Dionysiac | 231 |
Body and Mask in Performances of Classical Drama on | 259 |
Oedipus Rex directed by Tyrone Guthrie in 1955 | 263 |
A Case | 274 |
The 1903 Athenian | 360 |
Greek Drama in South Africa | 373 |
Putting the Class into Classical Reception | 386 |
Images of the Odyssey in the Art | 401 |
Future Prospects | 469 |
Bibliography | 482 |
Index | 533 |
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Achilles actors Aeschylus aesthetic African Afrikaans ancient Greek ancient world Antigone antiquity Arab Aristophanes Aristotle Aristotle’s artistic Athenian Athens audience body canonical century chapter character chorus cinematic classical past classical reception classicists Classics and film comedy contemporary context critical Crying Game cultural Cyclops debate Dionysus discussion drama Elektra English epic episode Euripides example feminist Fergus figure film’s Freud Gladstone gods Greece Greek and Roman Greek tragedy Hardwick hero Homer human humour Iliad Israeli Katharevousa language Latin literary literature Lysistrata mask Medea Mistriotes modern moral myth narrative Odysseus Oedipus Oresteia Orestes original performance Persian Phaeacians philosophers photographs Plato play poem poetic poetry poets political Poseidon present production Prometheus question Raffaello Sanzio reception studies reception theory relationship rhetoric role Rome Rome’s scholars scholarship Socrates Sophocles stage story Symonds theatre themes theory tion translation Ulysses Virgil virtue ethics Walcott’s Williams’s words