A Companion to Classical ReceptionsLorna Hardwick, Christopher Stray John Wiley & Sons, 2011 M04 12 - 560 páginas Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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Dentro del libro
Resultados 1-5 de 65
Página xvi
... Hero: an introduction to Homer's Iliad (1984), and Sophokles' Philoktetes: Translation with Notes, Introduction and ... Heroes in Herodotus: The Interaction of Myth and History (1991), and the first English translation of Cochlaeus ...
... Hero: an introduction to Homer's Iliad (1984), and Sophokles' Philoktetes: Translation with Notes, Introduction and ... Heroes in Herodotus: The Interaction of Myth and History (1991), and the first English translation of Cochlaeus ...
Página 19
... hero after an extended period of absence. More recent scholarship has further developed Parry's ideas, pointing out the expressive potential of traditional language and combining an aesthetic of traditionality with an emphasis on ...
... hero after an extended period of absence. More recent scholarship has further developed Parry's ideas, pointing out the expressive potential of traditional language and combining an aesthetic of traditionality with an emphasis on ...
Página 32
... heroes (Graziosi and Haubold 2005). When they are used by later Greek authors, it is notoriously difficult to establish whether they represent a conscious allusion to the Iliad, the Odyssey, the Homeric Hymns, or even to specific ...
... heroes (Graziosi and Haubold 2005). When they are used by later Greek authors, it is notoriously difficult to establish whether they represent a conscious allusion to the Iliad, the Odyssey, the Homeric Hymns, or even to specific ...
Página 34
... critics who berated his miniature poems and expected him to write epics in thousands of verses, featuring kings and heroes. It was once assumed that Callimachus was alluding to a literary quarrel with Apollonius, the 34 Barbara Graziosi.
... critics who berated his miniature poems and expected him to write epics in thousands of verses, featuring kings and heroes. It was once assumed that Callimachus was alluding to a literary quarrel with Apollonius, the 34 Barbara Graziosi.
Página 36
... hero Achille makes a submarine journey to Africa, in the form of a hallucination or dream, caused by a sunstroke. His 'trip' is configured simultaneously as an ancient Greek katabasis (filtered through Dante and Virgil) and as a return ...
... hero Achille makes a submarine journey to Africa, in the form of a hallucination or dream, caused by a sunstroke. His 'trip' is configured simultaneously as an ancient Greek katabasis (filtered through Dante and Virgil) and as a return ...
Contenido
13 | |
26 | |
50 | |
Canon Class and Ideology | 75 |
the Uses of Classics in Trinidad in the 1950s and 1960s | 98 |
The Case | 129 |
The Arab | 141 |
Translating the Classical Play | 153 |
Pylades wearing a steeplecrowned clowns hat Clytemnestra | 282 |
Aristophanes between Israelis and Palestinians | 287 |
reconstruction | 292 |
Theories and Methodologies | 303 |
The Cyclops and the Gods | 315 |
Film as a Teaching Tool for the Classics | 327 |
Game 1992 directed by Neil Jordan | 329 |
The Politics of Ruins in Roma capitale | 345 |
Lost in Translation? The Problem of Aristophanic Humour | 168 |
André Gides Rewriting of Myth | 185 |
Feminist Models of Reception | 195 |
Moses and Monotheism and | 207 |
Canonization and Periodization | 219 |
Apolline and Dionysiac | 231 |
Body and Mask in Performances of Classical Drama on | 259 |
Oedipus Rex directed by Tyrone Guthrie in 1955 | 263 |
A Case | 274 |
The 1903 Athenian | 360 |
Greek Drama in South Africa | 373 |
Putting the Class into Classical Reception | 386 |
Images of the Odyssey in the Art | 401 |
Future Prospects | 469 |
Bibliography | 482 |
Index | 533 |
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Achilles actors Aeschylus aesthetic African Afrikaans ancient Greek ancient world Antigone antiquity Arab Aristophanes Aristotle Aristotle’s artistic Athenian Athens audience body canonical century chapter character chorus cinematic classical past classical reception classicists Classics and film comedy contemporary context critical Crying Game cultural Cyclops debate Dionysus discussion drama Elektra English epic episode Euripides example feminist Fergus figure film’s Freud Gladstone gods Greece Greek and Roman Greek tragedy Hardwick hero Homer human humour Iliad Israeli Katharevousa language Latin literary literature Lysistrata mask Medea Mistriotes modern moral myth narrative Odysseus Oedipus Oresteia Orestes original performance Persian Phaeacians philosophers photographs Plato play poem poetic poetry poets political Poseidon present production Prometheus question Raffaello Sanzio reception studies reception theory relationship rhetoric role Rome Rome’s scholars scholarship Socrates Sophocles stage story Symonds theatre themes theory tion translation Ulysses Virgil virtue ethics Walcott’s Williams’s words