A Companion to Classical ReceptionsLorna Hardwick, Christopher Stray John Wiley & Sons, 2011 M04 12 - 560 páginas Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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... human achievement. Examining the profusion of ways in which the arts, culture and thought of Greece and Rome have been transmitted, interpreted, adapted and used, this volume explores the impact of this phenomenon on both ancient and ...
... human achievement. Examining the profusion of ways in which the arts, culture and thought of Greece and Rome have been transmitted, interpreted, adapted and used, this volume explores the impact of this phenomenon on both ancient and ...
Página xiv
... Humans and Other Animals (2000), as well as her definitive On Virtue Ethics (1999), and has published numerous journal articles on ethics and Aristotle. Miriam Leonard is Lecturer in Greek Literature and its Reception at University ...
... Humans and Other Animals (2000), as well as her definitive On Virtue Ethics (1999), and has published numerous journal articles on ethics and Aristotle. Miriam Leonard is Lecturer in Greek Literature and its Reception at University ...
Página 21
... human patterns of thought; though this position seems extreme and is becoming increasingly untenable. Assuming that Hera's speech in Iliad 14 does bear a meaningful resemblance with EnEma eliG beyond what is simply human, the question ...
... human patterns of thought; though this position seems extreme and is becoming increasingly untenable. Assuming that Hera's speech in Iliad 14 does bear a meaningful resemblance with EnEma eliG beyond what is simply human, the question ...
Página 33
... plan. Similar processes of framing and distancing, together with the attendant celebration of human progress, are at work in the Odyssey too; so we may wonder whether, as we stroll through the The Ancient Reception of Homer 33.
... plan. Similar processes of framing and distancing, together with the attendant celebration of human progress, are at work in the Odyssey too; so we may wonder whether, as we stroll through the The Ancient Reception of Homer 33.
Página 38
... human character rather than the intellect, for example heroes of epic and tragedy like Achilles and Agamemnon who exhibit arrogance, anger, despair and are generally out of control of their emotions. Since Plato, in common with many of ...
... human character rather than the intellect, for example heroes of epic and tragedy like Achilles and Agamemnon who exhibit arrogance, anger, despair and are generally out of control of their emotions. Since Plato, in common with many of ...
Contenido
13 | |
26 | |
50 | |
Canon Class and Ideology | 75 |
the Uses of Classics in Trinidad in the 1950s and 1960s | 98 |
The Case | 129 |
The Arab | 141 |
Translating the Classical Play | 153 |
Pylades wearing a steeplecrowned clowns hat Clytemnestra | 282 |
Aristophanes between Israelis and Palestinians | 287 |
reconstruction | 292 |
Theories and Methodologies | 303 |
The Cyclops and the Gods | 315 |
Film as a Teaching Tool for the Classics | 327 |
Game 1992 directed by Neil Jordan | 329 |
The Politics of Ruins in Roma capitale | 345 |
Lost in Translation? The Problem of Aristophanic Humour | 168 |
André Gides Rewriting of Myth | 185 |
Feminist Models of Reception | 195 |
Moses and Monotheism and | 207 |
Canonization and Periodization | 219 |
Apolline and Dionysiac | 231 |
Body and Mask in Performances of Classical Drama on | 259 |
Oedipus Rex directed by Tyrone Guthrie in 1955 | 263 |
A Case | 274 |
The 1903 Athenian | 360 |
Greek Drama in South Africa | 373 |
Putting the Class into Classical Reception | 386 |
Images of the Odyssey in the Art | 401 |
Future Prospects | 469 |
Bibliography | 482 |
Index | 533 |
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Achilles actors Aeschylus aesthetic African Afrikaans ancient Greek ancient world Antigone antiquity Arab Aristophanes Aristotle Aristotle’s artistic Athenian Athens audience body canonical century chapter character chorus cinematic classical past classical reception classicists Classics and film comedy contemporary context critical Crying Game cultural Cyclops debate Dionysus discussion drama Elektra English epic episode Euripides example feminist Fergus figure film’s Freud Gladstone gods Greece Greek and Roman Greek tragedy Hardwick hero Homer human humour Iliad Israeli Katharevousa language Latin literary literature Lysistrata mask Medea Mistriotes modern moral myth narrative Odysseus Oedipus Oresteia Orestes original performance Persian Phaeacians philosophers photographs Plato play poem poetic poetry poets political Poseidon present production Prometheus question Raffaello Sanzio reception studies reception theory relationship rhetoric role Rome Rome’s scholars scholarship Socrates Sophocles stage story Symonds theatre themes theory tion translation Ulysses Virgil virtue ethics Walcott’s Williams’s words