A Companion to Classical ReceptionsLorna Hardwick, Christopher Stray John Wiley & Sons, 2011 M04 12 - 560 páginas Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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Página vii
... Mask' in Performances of Classical Drama on the Modern Stage Angeliki Varakis The Nomadic Theatre of the Socìetas Raffaello Sanzio: A Case of Postdramatic Reworking of (the Classical) Tragedy Freddy Decreus Aristophanes between Israelis ...
... Mask' in Performances of Classical Drama on the Modern Stage Angeliki Varakis The Nomadic Theatre of the Socìetas Raffaello Sanzio: A Case of Postdramatic Reworking of (the Classical) Tragedy Freddy Decreus Aristophanes between Israelis ...
Página xvi
... Mask', Didaskalia (2004) and 'The use of Mask in Koun's stage interpretations of Birds, Frogs and Peace' in Hall and Wrigley 2007 forthcoming Aristophanes in Performance 421 BC–2005 AD: Peace, Birds, Frogs and has written the commentary ...
... Mask', Didaskalia (2004) and 'The use of Mask in Koun's stage interpretations of Birds, Frogs and Peace' in Hall and Wrigley 2007 forthcoming Aristophanes in Performance 421 BC–2005 AD: Peace, Birds, Frogs and has written the commentary ...
Página 7
... mask in the staging of modern performances and considers the extent to which this can communicate an experience analogous to that of the ancient theatre. Freddy Decreus pushes to their limits post-modern approaches to ancient drama with ...
... mask in the staging of modern performances and considers the extent to which this can communicate an experience analogous to that of the ancient theatre. Freddy Decreus pushes to their limits post-modern approaches to ancient drama with ...
Página 39
... mask of incomprehension' (Janaway 1995: 203), or have alternatively pointed out that Plato's hierarchical intellectual and moral universe simply failed to recognize and accommodate the plurality of voices involved in the conflicts and ...
... mask of incomprehension' (Janaway 1995: 203), or have alternatively pointed out that Plato's hierarchical intellectual and moral universe simply failed to recognize and accommodate the plurality of voices involved in the conflicts and ...
Página 84
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Contenido
13 | |
26 | |
50 | |
Canon Class and Ideology | 75 |
the Uses of Classics in Trinidad in the 1950s and 1960s | 98 |
The Case | 129 |
The Arab | 141 |
Translating the Classical Play | 153 |
Pylades wearing a steeplecrowned clowns hat Clytemnestra | 282 |
Aristophanes between Israelis and Palestinians | 287 |
reconstruction | 292 |
Theories and Methodologies | 303 |
The Cyclops and the Gods | 315 |
Film as a Teaching Tool for the Classics | 327 |
Game 1992 directed by Neil Jordan | 329 |
The Politics of Ruins in Roma capitale | 345 |
Lost in Translation? The Problem of Aristophanic Humour | 168 |
André Gides Rewriting of Myth | 185 |
Feminist Models of Reception | 195 |
Moses and Monotheism and | 207 |
Canonization and Periodization | 219 |
Apolline and Dionysiac | 231 |
Body and Mask in Performances of Classical Drama on | 259 |
Oedipus Rex directed by Tyrone Guthrie in 1955 | 263 |
A Case | 274 |
The 1903 Athenian | 360 |
Greek Drama in South Africa | 373 |
Putting the Class into Classical Reception | 386 |
Images of the Odyssey in the Art | 401 |
Future Prospects | 469 |
Bibliography | 482 |
Index | 533 |
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Achilles actors Aeschylus aesthetic African Afrikaans ancient Greek ancient world Antigone antiquity Arab Aristophanes Aristotle Aristotle’s artistic Athenian Athens audience body canonical century chapter character chorus cinematic classical past classical reception classicists Classics and film comedy contemporary context critical Crying Game cultural Cyclops debate Dionysus discussion drama Elektra English epic episode Euripides example feminist Fergus figure film’s Freud Gladstone gods Greece Greek and Roman Greek tragedy Hardwick hero Homer human humour Iliad Israeli Katharevousa language Latin literary literature Lysistrata mask Medea Mistriotes modern moral myth narrative Odysseus Oedipus Oresteia Orestes original performance Persian Phaeacians philosophers photographs Plato play poem poetic poetry poets political Poseidon present production Prometheus question Raffaello Sanzio reception studies reception theory relationship rhetoric role Rome Rome’s scholars scholarship Socrates Sophocles stage story Symonds theatre themes theory tion translation Ulysses Virgil virtue ethics Walcott’s Williams’s words