A Companion to Classical ReceptionsLorna Hardwick, Christopher Stray John Wiley & Sons, 2011 M04 12 - 560 páginas Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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Página 4
... works yielded a 'meaning' which could be grasped and passed on, as could the aesthetic and (sometimes) moral and political values of antiquity. As a result there was sometimes a misleading 4 Lorna Hardwick and Christopher Stray.
... works yielded a 'meaning' which could be grasped and passed on, as could the aesthetic and (sometimes) moral and political values of antiquity. As a result there was sometimes a misleading 4 Lorna Hardwick and Christopher Stray.
Página 6
... moral values it should exert. Barbara Graziosi discusses the ancient reception of Homer in a chapter that relates not only to strands in the discussion by Budelmann and Haubold but also to Gregson Davis' treatment of modern reframings ...
... moral values it should exert. Barbara Graziosi discusses the ancient reception of Homer in a chapter that relates not only to strands in the discussion by Budelmann and Haubold but also to Gregson Davis' treatment of modern reframings ...
Página 8
... moral philosophy, with special reference to the impact of the return to Aristotle's texts as a starting point for changing the questions asked in modern philosophy and the categories used to explore them. Elizabeth Vandiver's discussion ...
... moral philosophy, with special reference to the impact of the return to Aristotle's texts as a starting point for changing the questions asked in modern philosophy and the categories used to explore them. Elizabeth Vandiver's discussion ...
Página 15
... Morals, tell me why? In analyzing this poem as an act of reception the first thing to point out is its close connection with one of the Anacreontea (21 in today's standard numeration). 8Η γ3 μRλαινα πnνει, The black earth drinks, πnνει ...
... Morals, tell me why? In analyzing this poem as an act of reception the first thing to point out is its close connection with one of the Anacreontea (21 in today's standard numeration). 8Η γ3 μRλαινα πnνει, The black earth drinks, πnνει ...
Página 16
... morals' is to be understood. While the nameless Greek author just addresses his friends, Cowley makes a thinly veiled allusion to Puritans, perhaps even Oliver Cromwell himself, and their clampdown on drinking. It is obvious that these ...
... morals' is to be understood. While the nameless Greek author just addresses his friends, Cowley makes a thinly veiled allusion to Puritans, perhaps even Oliver Cromwell himself, and their clampdown on drinking. It is obvious that these ...
Contenido
13 | |
26 | |
50 | |
Canon Class and Ideology | 75 |
the Uses of Classics in Trinidad in the 1950s and 1960s | 98 |
The Case | 129 |
The Arab | 141 |
Translating the Classical Play | 153 |
Pylades wearing a steeplecrowned clowns hat Clytemnestra | 282 |
Aristophanes between Israelis and Palestinians | 287 |
reconstruction | 292 |
Theories and Methodologies | 303 |
The Cyclops and the Gods | 315 |
Film as a Teaching Tool for the Classics | 327 |
Game 1992 directed by Neil Jordan | 329 |
The Politics of Ruins in Roma capitale | 345 |
Lost in Translation? The Problem of Aristophanic Humour | 168 |
André Gides Rewriting of Myth | 185 |
Feminist Models of Reception | 195 |
Moses and Monotheism and | 207 |
Canonization and Periodization | 219 |
Apolline and Dionysiac | 231 |
Body and Mask in Performances of Classical Drama on | 259 |
Oedipus Rex directed by Tyrone Guthrie in 1955 | 263 |
A Case | 274 |
The 1903 Athenian | 360 |
Greek Drama in South Africa | 373 |
Putting the Class into Classical Reception | 386 |
Images of the Odyssey in the Art | 401 |
Future Prospects | 469 |
Bibliography | 482 |
Index | 533 |
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Achilles actors Aeschylus aesthetic African Afrikaans ancient Greek ancient world Antigone antiquity Arab Aristophanes Aristotle Aristotle’s artistic Athenian Athens audience body canonical century chapter character chorus cinematic classical past classical reception classicists Classics and film comedy contemporary context critical Crying Game cultural Cyclops debate Dionysus discussion drama Elektra English epic episode Euripides example feminist Fergus figure film’s Freud Gladstone gods Greece Greek and Roman Greek tragedy Hardwick hero Homer human humour Iliad Israeli Katharevousa language Latin literary literature Lysistrata mask Medea Mistriotes modern moral myth narrative Odysseus Oedipus Oresteia Orestes original performance Persian Phaeacians philosophers photographs Plato play poem poetic poetry poets political Poseidon present production Prometheus question Raffaello Sanzio reception studies reception theory relationship rhetoric role Rome Rome’s scholars scholarship Socrates Sophocles stage story Symonds theatre themes theory tion translation Ulysses Virgil virtue ethics Walcott’s Williams’s words