A Companion to Classical ReceptionsLorna Hardwick, Christopher Stray John Wiley & Sons, 2011 M04 12 - 560 páginas Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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Dentro del libro
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Página xiv
... Play of 2005'. Pantelis Michelakis is Senior Lecturer in Classics at the University of Bristol. His research interests are in early Greek literature and culture as well as in Greco-Roman drama and its ancient and modern reception. He is ...
... Play of 2005'. Pantelis Michelakis is Senior Lecturer in Classics at the University of Bristol. His research interests are in early Greek literature and culture as well as in Greco-Roman drama and its ancient and modern reception. He is ...
Página 30
... play to play); whereas they were considered a problem in Homer. In an interesting passage, Herodotus observes: 'The Cypria is not by Homer, but by someone else; for in the Cypria we are told that, when Paris led Helen away, he arrived ...
... play to play); whereas they were considered a problem in Homer. In an interesting passage, Herodotus observes: 'The Cypria is not by Homer, but by someone else; for in the Cypria we are told that, when Paris led Helen away, he arrived ...
Página 34
... play, whereas the poems of the Cycle offered a basis for several. Generally, it seems that Athenian playwrights avoided direct reworkings of the Iliad and the Odyssey, preferring instead to base their plays on stories featured in the ...
... play, whereas the poems of the Cycle offered a basis for several. Generally, it seems that Athenian playwrights avoided direct reworkings of the Iliad and the Odyssey, preferring instead to base their plays on stories featured in the ...
Página 44
... plays on Agathon's consciousness of his position in another world where status matters – that of the theatre – a performer ... play in which the author mounts a stage with his players in order to introduce his work); he emphasizes words ...
... plays on Agathon's consciousness of his position in another world where status matters – that of the theatre – a performer ... play in which the author mounts a stage with his players in order to introduce his work); he emphasizes words ...
Página 52
... play 'obscures the fact that the audience is watching a highly artificial enactment of what a non-Oriental has made into a symbol for the whole Orient' (Said 1978: 21). Even where an author has witnessed Persian society at close hand ...
... play 'obscures the fact that the audience is watching a highly artificial enactment of what a non-Oriental has made into a symbol for the whole Orient' (Said 1978: 21). Even where an author has witnessed Persian society at close hand ...
Contenido
13 | |
26 | |
50 | |
Canon Class and Ideology | 75 |
the Uses of Classics in Trinidad in the 1950s and 1960s | 98 |
The Case | 129 |
The Arab | 141 |
Translating the Classical Play | 153 |
Pylades wearing a steeplecrowned clowns hat Clytemnestra | 282 |
Aristophanes between Israelis and Palestinians | 287 |
reconstruction | 292 |
Theories and Methodologies | 303 |
The Cyclops and the Gods | 315 |
Film as a Teaching Tool for the Classics | 327 |
Game 1992 directed by Neil Jordan | 329 |
The Politics of Ruins in Roma capitale | 345 |
Lost in Translation? The Problem of Aristophanic Humour | 168 |
André Gides Rewriting of Myth | 185 |
Feminist Models of Reception | 195 |
Moses and Monotheism and | 207 |
Canonization and Periodization | 219 |
Apolline and Dionysiac | 231 |
Body and Mask in Performances of Classical Drama on | 259 |
Oedipus Rex directed by Tyrone Guthrie in 1955 | 263 |
A Case | 274 |
The 1903 Athenian | 360 |
Greek Drama in South Africa | 373 |
Putting the Class into Classical Reception | 386 |
Images of the Odyssey in the Art | 401 |
Future Prospects | 469 |
Bibliography | 482 |
Index | 533 |
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Achilles actors Aeschylus aesthetic African Afrikaans ancient Greek ancient world Antigone antiquity Arab Aristophanes Aristotle Aristotle’s artistic Athenian Athens audience body canonical century chapter character chorus cinematic classical past classical reception classicists Classics and film comedy contemporary context critical Crying Game cultural Cyclops debate Dionysus discussion drama Elektra English epic episode Euripides example feminist Fergus figure film’s Freud Gladstone gods Greece Greek and Roman Greek tragedy Hardwick hero Homer human humour Iliad Israeli Katharevousa language Latin literary literature Lysistrata mask Medea Mistriotes modern moral myth narrative Odysseus Oedipus Oresteia Orestes original performance Persian Phaeacians philosophers photographs Plato play poem poetic poetry poets political Poseidon present production Prometheus question Raffaello Sanzio reception studies reception theory relationship rhetoric role Rome Rome’s scholars scholarship Socrates Sophocles stage story Symonds theatre themes theory tion translation Ulysses Virgil virtue ethics Walcott’s Williams’s words