A Companion to Classical ReceptionsLorna Hardwick, Christopher Stray John Wiley & Sons, 2011 M04 12 - 560 páginas Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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Página 8
... poetry of World War One is also revisionist. She uses a wide range of examples to challenge previous judgements about the role of poetry in expressing and shaping rejection of the war (and by extension also contributes to current ...
... poetry of World War One is also revisionist. She uses a wide range of examples to challenge previous judgements about the role of poetry in expressing and shaping rejection of the war (and by extension also contributes to current ...
Página 15
... poem of unknown date by Abraham Cowley (1618–1667), published among his 1656 Miscellanies as one of eight 'Anacreontiques: or, Some Copies of Verses Translated Paraphrastically out of Anacreon ... poets including Reception and Tradition 15.
... poem of unknown date by Abraham Cowley (1618–1667), published among his 1656 Miscellanies as one of eight 'Anacreontiques: or, Some Copies of Verses Translated Paraphrastically out of Anacreon ... poets including Reception and Tradition 15.
Página 16
... poet Georg Rudolf Weckherlin, published in 1641 as 'Ode oder Drincklied. Anacreontisch' (Fischer 1884: 501–3). Like Cowley, and unlike most other poets writing versions of Anacreontea 21, Weckherlin expanded significantly on his model ...
... poet Georg Rudolf Weckherlin, published in 1641 as 'Ode oder Drincklied. Anacreontisch' (Fischer 1884: 501–3). Like Cowley, and unlike most other poets writing versions of Anacreontea 21, Weckherlin expanded significantly on his model ...
Página 17
... poem. The poets of the Anacreontea often remained anonymous, and in various ways positioned themselves as continuing a project started by Anacreon rather than advertising their own originality. Cowley is less self-effacing. He publishes ...
... poem. The poets of the Anacreontea often remained anonymous, and in various ways positioned themselves as continuing a project started by Anacreon rather than advertising their own originality. Cowley is less self-effacing. He publishes ...
Página 18
... poetry continued to be widely popular across a number of centuries. The appeal of each individual poem will have had something to do with its particular features and circumstances – such as Cowley's anti-puritan snipe for the ...
... poetry continued to be widely popular across a number of centuries. The appeal of each individual poem will have had something to do with its particular features and circumstances – such as Cowley's anti-puritan snipe for the ...
Contenido
13 | |
26 | |
50 | |
Canon Class and Ideology | 75 |
the Uses of Classics in Trinidad in the 1950s and 1960s | 98 |
The Case | 129 |
The Arab | 141 |
Translating the Classical Play | 153 |
Pylades wearing a steeplecrowned clowns hat Clytemnestra | 282 |
Aristophanes between Israelis and Palestinians | 287 |
reconstruction | 292 |
Theories and Methodologies | 303 |
The Cyclops and the Gods | 315 |
Film as a Teaching Tool for the Classics | 327 |
Game 1992 directed by Neil Jordan | 329 |
The Politics of Ruins in Roma capitale | 345 |
Lost in Translation? The Problem of Aristophanic Humour | 168 |
André Gides Rewriting of Myth | 185 |
Feminist Models of Reception | 195 |
Moses and Monotheism and | 207 |
Canonization and Periodization | 219 |
Apolline and Dionysiac | 231 |
Body and Mask in Performances of Classical Drama on | 259 |
Oedipus Rex directed by Tyrone Guthrie in 1955 | 263 |
A Case | 274 |
The 1903 Athenian | 360 |
Greek Drama in South Africa | 373 |
Putting the Class into Classical Reception | 386 |
Images of the Odyssey in the Art | 401 |
Future Prospects | 469 |
Bibliography | 482 |
Index | 533 |
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