A Companion to Classical ReceptionsLorna Hardwick, Christopher Stray John Wiley & Sons, 2011 M04 12 - 560 páginas Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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Página vii
... Production of Aeschylus' Oresteia Gonda Van Steen Multicultural Reception: Greek Drama in South Africa in the Late Twentieth and Early Twenty-first Centuries Betine van Zyl Smit Putting the Class into Classical Reception Edith Hall 229 ...
... Production of Aeschylus' Oresteia Gonda Van Steen Multicultural Reception: Greek Drama in South Africa in the Late Twentieth and Early Twenty-first Centuries Betine van Zyl Smit Putting the Class into Classical Reception Edith Hall 229 ...
Página ix
... production of Oedipus Rex, directed by Tyrone Guthrie in 1955 Drawing inspired by Karolos Koun's masked Oresteia in 1982 The masked figures of Socrates and Strepsiades in the production of Clouds, directed by Socrates Karantinos in 1951 ...
... production of Oedipus Rex, directed by Tyrone Guthrie in 1955 Drawing inspired by Karolos Koun's masked Oresteia in 1982 The masked figures of Socrates and Strepsiades in the production of Clouds, directed by Socrates Karantinos in 1951 ...
Página 2
... produce a volume that shows reception scholars actively at work. Contributors were asked to contextualize their discussions and to make their working methods transparent, but to avoid 'surveys' and to concentrate on texts, debates and ...
... produce a volume that shows reception scholars actively at work. Contributors were asked to contextualize their discussions and to make their working methods transparent, but to avoid 'surveys' and to concentrate on texts, debates and ...
Página 140
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Contenido
13 | |
26 | |
50 | |
Canon Class and Ideology | 75 |
the Uses of Classics in Trinidad in the 1950s and 1960s | 98 |
The Case | 129 |
The Arab | 141 |
Translating the Classical Play | 153 |
Pylades wearing a steeplecrowned clowns hat Clytemnestra | 282 |
Aristophanes between Israelis and Palestinians | 287 |
reconstruction | 292 |
Theories and Methodologies | 303 |
The Cyclops and the Gods | 315 |
Film as a Teaching Tool for the Classics | 327 |
Game 1992 directed by Neil Jordan | 329 |
The Politics of Ruins in Roma capitale | 345 |
Lost in Translation? The Problem of Aristophanic Humour | 168 |
André Gides Rewriting of Myth | 185 |
Feminist Models of Reception | 195 |
Moses and Monotheism and | 207 |
Canonization and Periodization | 219 |
Apolline and Dionysiac | 231 |
Body and Mask in Performances of Classical Drama on | 259 |
Oedipus Rex directed by Tyrone Guthrie in 1955 | 263 |
A Case | 274 |
The 1903 Athenian | 360 |
Greek Drama in South Africa | 373 |
Putting the Class into Classical Reception | 386 |
Images of the Odyssey in the Art | 401 |
Future Prospects | 469 |
Bibliography | 482 |
Index | 533 |
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Términos y frases comunes
Achilles actors Aeschylus aesthetic African Afrikaans ancient Greek ancient world Antigone antiquity Arab Aristophanes Aristotle Aristotle’s artistic Athenian Athens audience body canonical century chapter character chorus cinematic classical past classical reception classicists Classics and film comedy contemporary context critical Crying Game cultural Cyclops debate Dionysus discussion drama Elektra English epic episode Euripides example feminist Fergus figure film’s Freud Gladstone gods Greece Greek and Roman Greek tragedy Hardwick hero Homer human humour Iliad Israeli Katharevousa language Latin literary literature Lysistrata mask Medea Mistriotes modern moral myth narrative Odysseus Oedipus Oresteia Orestes original performance Persian Phaeacians philosophers photographs Plato play poem poetic poetry poets political Poseidon present production Prometheus question Raffaello Sanzio reception studies reception theory relationship rhetoric role Rome Rome’s scholars scholarship Socrates Sophocles stage story Symonds theatre themes theory tion translation Ulysses Virgil virtue ethics Walcott’s Williams’s words