A Companion to Classical ReceptionsLorna Hardwick, Christopher Stray John Wiley & Sons, 2011 M04 12 - 560 páginas Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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Dentro del libro
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Página vi
... Reception Vanda Zajko History and Theory: Moses and Monotheism and the Historiography of the Repressed Miriam Leonard Performance Reception: Canonization and Periodization Pantelis Michelakis 73 75 86 98 113 127 10 129 141 153 168 183 ...
... Reception Vanda Zajko History and Theory: Moses and Monotheism and the Historiography of the Repressed Miriam Leonard Performance Reception: Canonization and Periodization Pantelis Michelakis 73 75 86 98 113 127 10 129 141 153 168 183 ...
Página xi
... reception, she is the author of The Metamorphosis of Ovid: From Chaucer to ... Theory and a monograph on transhistoricism. Felix Budelmann is a Fellow of ... reception. He is currently working on a Greek lyric anthology. Bryan E. Burns is ...
... reception, she is the author of The Metamorphosis of Ovid: From Chaucer to ... Theory and a monograph on transhistoricism. Felix Budelmann is a Fellow of ... reception. He is currently working on a Greek lyric anthology. Bryan E. Burns is ...
Página xii
Lorna Hardwick, Christopher Stray. Freddy Decreus is a philologist, specializing in the reception of classical ... Theory, Comparative Literature and Theatre History. His publications have addressed classical tragedy and the modern ...
Lorna Hardwick, Christopher Stray. Freddy Decreus is a philologist, specializing in the reception of classical ... Theory, Comparative Literature and Theatre History. His publications have addressed classical tragedy and the modern ...
Página xv
... reception of classical texts primarily in the nineteenth and twentieth centuries. James Robson is Senior Lecturer in Classical Studies at the Open University, Milton Keynes. His research interests include Aristophanes, humour theory ...
... reception of classical texts primarily in the nineteenth and twentieth centuries. James Robson is Senior Lecturer in Classical Studies at the Open University, Milton Keynes. His research interests include Aristophanes, humour theory ...
Página xvii
... Theory and Practice (forthcoming) and Demons and Dancers: Performance in ... reception and on Israeli theatre. Since 1997 she has served as Artistic ... Reception (2006), Laughing with Medusa: Classical Myth and Feminist Thought (ed. with ...
... Theory and Practice (forthcoming) and Demons and Dancers: Performance in ... reception and on Israeli theatre. Since 1997 she has served as Artistic ... Reception (2006), Laughing with Medusa: Classical Myth and Feminist Thought (ed. with ...
Contenido
13 | |
26 | |
50 | |
Canon Class and Ideology | 75 |
the Uses of Classics in Trinidad in the 1950s and 1960s | 98 |
The Case | 129 |
The Arab | 141 |
Translating the Classical Play | 153 |
Pylades wearing a steeplecrowned clowns hat Clytemnestra | 282 |
Aristophanes between Israelis and Palestinians | 287 |
reconstruction | 292 |
Theories and Methodologies | 303 |
The Cyclops and the Gods | 315 |
Film as a Teaching Tool for the Classics | 327 |
Game 1992 directed by Neil Jordan | 329 |
The Politics of Ruins in Roma capitale | 345 |
Lost in Translation? The Problem of Aristophanic Humour | 168 |
André Gides Rewriting of Myth | 185 |
Feminist Models of Reception | 195 |
Moses and Monotheism and | 207 |
Canonization and Periodization | 219 |
Apolline and Dionysiac | 231 |
Body and Mask in Performances of Classical Drama on | 259 |
Oedipus Rex directed by Tyrone Guthrie in 1955 | 263 |
A Case | 274 |
The 1903 Athenian | 360 |
Greek Drama in South Africa | 373 |
Putting the Class into Classical Reception | 386 |
Images of the Odyssey in the Art | 401 |
Future Prospects | 469 |
Bibliography | 482 |
Index | 533 |
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Achilles actors Aeschylus aesthetic African Afrikaans ancient Greek ancient world Antigone antiquity Arab Aristophanes Aristotle Aristotle’s artistic Athenian Athens audience body canonical century chapter character chorus cinematic classical past classical reception classicists Classics and film comedy contemporary context critical Crying Game cultural Cyclops debate Dionysus discussion drama Elektra English epic episode Euripides example feminist Fergus figure film’s Freud Gladstone gods Greece Greek and Roman Greek tragedy Hardwick hero Homer human humour Iliad Israeli Katharevousa language Latin literary literature Lysistrata mask Medea Mistriotes modern moral myth narrative Odysseus Oedipus Oresteia Orestes original performance Persian Phaeacians philosophers photographs Plato play poem poetic poetry poets political Poseidon present production Prometheus question Raffaello Sanzio reception studies reception theory relationship rhetoric role Rome Rome’s scholars scholarship Socrates Sophocles stage story Symonds theatre themes theory tion translation Ulysses Virgil virtue ethics Walcott’s Williams’s words