A Companion to Classical ReceptionsLorna Hardwick, Christopher Stray John Wiley & Sons, 2011 M04 12 - 560 páginas Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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Página 4
... story or text and its transmission and dialogical reconstructions. It is sometimes said that reception sheds light on the receiving society but not the ancient text or context. Most people involved in reception would accept that on the ...
... story or text and its transmission and dialogical reconstructions. It is sometimes said that reception sheds light on the receiving society but not the ancient text or context. Most people involved in reception would accept that on the ...
Página 19
... story patterns such as the return of a hero after an extended period of absence. More recent scholarship has further developed Parry's ideas, pointing out the expressive potential of traditional language and combining an aesthetic of ...
... story patterns such as the return of a hero after an extended period of absence. More recent scholarship has further developed Parry's ideas, pointing out the expressive potential of traditional language and combining an aesthetic of ...
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... story to look familiar even when there are strong reasons to suspect that it is not. This takes us back to the more fundamental question of whether Homer had 'sources' in any relevant sense of the word; or whether the undoubted ...
... story to look familiar even when there are strong reasons to suspect that it is not. This takes us back to the more fundamental question of whether Homer had 'sources' in any relevant sense of the word; or whether the undoubted ...
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... From our earliest sources, Homer emerges as a poet of great authority, though the exact range of his subject matter and the definition of his work remain vague (Pindar, for example, ascribes to him stories that 28 Barbara Graziosi.
... From our earliest sources, Homer emerges as a poet of great authority, though the exact range of his subject matter and the definition of his work remain vague (Pindar, for example, ascribes to him stories that 28 Barbara Graziosi.
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... stories that are not found in our Iliad or Odyssey: Fitch 1924, pace Nisetich 1989). The earliest extant author who explicitly discriminates between genuine works of Homer and epics wrongly attributed to him is the fifth-century ...
... stories that are not found in our Iliad or Odyssey: Fitch 1924, pace Nisetich 1989). The earliest extant author who explicitly discriminates between genuine works of Homer and epics wrongly attributed to him is the fifth-century ...
Contenido
13 | |
26 | |
50 | |
Canon Class and Ideology | 75 |
the Uses of Classics in Trinidad in the 1950s and 1960s | 98 |
The Case | 129 |
The Arab | 141 |
Translating the Classical Play | 153 |
Pylades wearing a steeplecrowned clowns hat Clytemnestra | 282 |
Aristophanes between Israelis and Palestinians | 287 |
reconstruction | 292 |
Theories and Methodologies | 303 |
The Cyclops and the Gods | 315 |
Film as a Teaching Tool for the Classics | 327 |
Game 1992 directed by Neil Jordan | 329 |
The Politics of Ruins in Roma capitale | 345 |
Lost in Translation? The Problem of Aristophanic Humour | 168 |
André Gides Rewriting of Myth | 185 |
Feminist Models of Reception | 195 |
Moses and Monotheism and | 207 |
Canonization and Periodization | 219 |
Apolline and Dionysiac | 231 |
Body and Mask in Performances of Classical Drama on | 259 |
Oedipus Rex directed by Tyrone Guthrie in 1955 | 263 |
A Case | 274 |
The 1903 Athenian | 360 |
Greek Drama in South Africa | 373 |
Putting the Class into Classical Reception | 386 |
Images of the Odyssey in the Art | 401 |
Future Prospects | 469 |
Bibliography | 482 |
Index | 533 |
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Achilles actors Aeschylus aesthetic African Afrikaans ancient Greek ancient world Antigone antiquity Arab Aristophanes Aristotle Aristotle’s artistic Athenian Athens audience body canonical century chapter character chorus cinematic classical past classical reception classicists Classics and film comedy contemporary context critical Crying Game cultural Cyclops debate Dionysus discussion drama Elektra English epic episode Euripides example feminist Fergus figure film’s Freud Gladstone gods Greece Greek and Roman Greek tragedy Hardwick hero Homer human humour Iliad Israeli Katharevousa language Latin literary literature Lysistrata mask Medea Mistriotes modern moral myth narrative Odysseus Oedipus Oresteia Orestes original performance Persian Phaeacians philosophers photographs Plato play poem poetic poetry poets political Poseidon present production Prometheus question Raffaello Sanzio reception studies reception theory relationship rhetoric role Rome Rome’s scholars scholarship Socrates Sophocles stage story Symonds theatre themes theory tion translation Ulysses Virgil virtue ethics Walcott’s Williams’s words