Historical View of the Literature of the South of Europe, Volumen3H. Colburn and Company, 1823 |
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Página 16
... stage distracted , Ægisthus takes no notice , whilst the palace resounds with terrific cries . Ægisthus perceives that the time is now come when it is necessary to shew himself in his true colours , and to gather the fruit of his ...
... stage distracted , Ægisthus takes no notice , whilst the palace resounds with terrific cries . Ægisthus perceives that the time is now come when it is necessary to shew himself in his true colours , and to gather the fruit of his ...
Página 19
... stage . The naked and austere style of Alfieri suited well with the patriarchal times which are there re- presented . We do not require the first King of Israel to be surrounded by a numerous court , or to act solely by the intervention ...
... stage . The naked and austere style of Alfieri suited well with the patriarchal times which are there re- presented . We do not require the first King of Israel to be surrounded by a numerous court , or to act solely by the intervention ...
Página 29
... stage : Oh my children , I was a father - See thyself alone , O King ! Of thy so many friends and servants , Not one remains . - Inexorable God ! Is thy retributory wrath appeased ? But thou remain'st to me , O sword ! Now come , My ...
... stage : Oh my children , I was a father - See thyself alone , O King ! Of thy so many friends and servants , Not one remains . - Inexorable God ! Is thy retributory wrath appeased ? But thou remain'st to me , O sword ! Now come , My ...
Página 32
... stage in common with him . The first of these is Vincenzio Monti of Ferrara , of whom we shall again speak in the next chapter , when we come to mention his epic compositions . His Aristo- demo is one of the most affecting of all the ...
... stage in common with him . The first of these is Vincenzio Monti of Ferrara , of whom we shall again speak in the next chapter , when we come to mention his epic compositions . His Aristo- demo is one of the most affecting of all the ...
Página 44
... stage , and the versification of Alfieri does not possess the loftiness and the fascination which are requisite to adapt it to music . The whole drama is cold and uninterest- ing . Two tragedies on the story of Alcestes follow one is ...
... stage , and the versification of Alfieri does not possess the loftiness and the fascination which are requisite to adapt it to music . The whole drama is cold and uninterest- ing . Two tragedies on the story of Alcestes follow one is ...
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Términos y frases comunes
acquainted Ægisthus Agamemnon Alfieri Alfonso Alonzo amongst ancient appear Aragon Araucans attempt battle beautiful bien Boscan canto captive Carion Castile Castilian celebrated century Cervantes character Charles chivalry Christian Clytemnestra combat comedies commencement composition Count daughters death display Don Quixote drama endeavoured epic Ercilla excite eyes feelings Ferdinand French Garcilaso genius give glory Grenada heart hero history of Spain honour idea imagination imitation Infants Italian Italy Juan king kingdom of Leon knight language literature Lope de Vega MADRE manners Moorish Moors mother Musulmans nation never noble Numantia Nuño passion pastoral period poem poet poetical poetry possess present preserved prince Pues racter reader redondilhas reign Rodrigo romances Sancho Saul scene sentiments sonnets Spain Spaniards Spanish Spanish poetry spirit stanzas style sword talents taste TELLO theatre thee thou Thyestes tion tragedy translation truth verses Visigoths Voltaire writers Ximena
Pasajes populares
Página 272 - ... mundo cubre, de do viene el temor que nos espanta y la medrosa forma en que se ofrece aquello que la noche nos encubre, hasta que el sol descubre su luz pura y hermosa: tal es la tenebrosa noche de tu partir, en que he quedado de sombra y de temor atormentado, hasta que muerte el tiempo determine que a ver el deseado sol de tu clara vista me encamine.
Página 184 - To do his bridal honour, their walls the burghers screen. They lead the bulls before them all covered o'er with trappings ; The little boys pursue them with hootings and with clappings ; The fool, with cap and bladder, upon his ass goes prancing, Amidst troops of captive maidens with bells and cymbals dancing.
Página 314 - El va y en pos dichosas le siguen sus ovejas, do las pace con inmortales rosas, con flor que siempre nace, y cuanto más se goza más renace.
Página 21 - Ah! no: deriva ogni sventura mia Da più terribil fonte... E che? Celarmi L'orror vorresti del mio stato? Ah! s'io Padre non fossi, come il son, pur troppo!
Página 188 - Diaz," cried the Lords, —but when they looked again, They saw Ruy Diaz ruling him, with the fragment of his rein ; They saw him proudly ruling, with gesture firm and calm, Like a true lord commanding — and obeyed as by a lamb. And so he led him foaming and panting to the King, But "No...
Página 29 - Oh, figli miei... Fui padre. Eccoti solo, o re; non un ti resta dei tanti amici, o servi tuoi.
Página 217 - THE hosts of Don Rodrigo were scattered in dismay, When lost was the eighth battle, nor heart nor hope had they ; He, when he saw that field was lost, and all his hope was flown, He turned him from his flying host, and took his way alone.
Página 140 - ¿A qué las firiestes a cinchas ea espolones? "Solas las dexastes en el robredo de Corpes, "a las bestias fieras ea las aves del mont. "Por quanto les fiziestes menos valedes vos.
Página 185 - Compostella, where the shrine doth by the altar stand, The good Rodrigo de Bivar is riding through the land. Where'er he goes, much alms he throws, to feeble folk and poor ; Beside the way for him they pray, him blessings to procure ; For, God and Mary Mother, their heavenly grace to win, His hand was ever bountiful: great was his joy therein.