Historical View of the Literature of the South of Europe, Volumen3H. Colburn and Company, 1823 |
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Página 3
... style , and adapted his compositions , by new corrections , to the gene- ral taste . His dramas were thus distributed into three classes , distinguished by the period of their publication , as well as by the various alterations which ...
... style , and adapted his compositions , by new corrections , to the gene- ral taste . His dramas were thus distributed into three classes , distinguished by the period of their publication , as well as by the various alterations which ...
Página 4
... style , and exhibit traces of the author's original acerbity , notwithstanding all the pains which he took to correct that fault in the later editions . They resemble each other still more in the author's obstinate attachment to his ...
... style , and exhibit traces of the author's original acerbity , notwithstanding all the pains which he took to correct that fault in the later editions . They resemble each other still more in the author's obstinate attachment to his ...
Página 19
... style of Alfieri suited well with the patriarchal times which are there re- presented . We do not require the first King of Israel to be surrounded by a numerous court , or to act solely by the intervention of his ministers . We cannot ...
... style of Alfieri suited well with the patriarchal times which are there re- presented . We do not require the first King of Israel to be surrounded by a numerous court , or to act solely by the intervention of his ministers . We cannot ...
Página 42
... style , be compared with the best wri- tings in the Italian language . It is rich in thought and high sentiment ; and treats , with profound ability and in every view , of that important question , the protection which it is said a ...
... style , be compared with the best wri- tings in the Italian language . It is rich in thought and high sentiment ; and treats , with profound ability and in every view , of that important question , the protection which it is said a ...
Página 43
... and to conclude , the style is absolutely destitute of dig- nity and of poetical attraction . It is not , however , reasonable to judge Alfieri by a work which he never avowed , and which , in all probability , OF THE ITALIANS . 43.
... and to conclude , the style is absolutely destitute of dig- nity and of poetical attraction . It is not , however , reasonable to judge Alfieri by a work which he never avowed , and which , in all probability , OF THE ITALIANS . 43.
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Términos y frases comunes
acquainted Ægisthus Agamemnon Alfieri Alfonso Alonzo amongst ancient appear Aragon Araucans attempt battle beautiful bien Boscan canto captive Carion Castile Castilian celebrated century Cervantes character Charles chivalry Christian Clytemnestra combat comedies commencement composition Count daughters death display Don Quixote drama endeavoured epic Ercilla excite eyes feelings Ferdinand French Garcilaso genius give glory Grenada heart hero history of Spain honour idea imagination imitation Infants Italian Italy Juan king kingdom of Leon knight language literature Lope de Vega MADRE manners Moorish Moors mother Musulmans nation never noble Numantia Nuño passion pastoral period poem poet poetical poetry possess present preserved prince Pues racter reader redondilhas reign Rodrigo romances Sancho Saul scene sentiments sonnets Spain Spaniards Spanish Spanish poetry spirit stanzas style sword talents taste TELLO theatre thee thou Thyestes tion tragedy translation truth verses Visigoths Voltaire writers Ximena
Pasajes populares
Página 272 - ... mundo cubre, de do viene el temor que nos espanta y la medrosa forma en que se ofrece aquello que la noche nos encubre, hasta que el sol descubre su luz pura y hermosa: tal es la tenebrosa noche de tu partir, en que he quedado de sombra y de temor atormentado, hasta que muerte el tiempo determine que a ver el deseado sol de tu clara vista me encamine.
Página 184 - To do his bridal honour, their walls the burghers screen. They lead the bulls before them all covered o'er with trappings ; The little boys pursue them with hootings and with clappings ; The fool, with cap and bladder, upon his ass goes prancing, Amidst troops of captive maidens with bells and cymbals dancing.
Página 314 - El va y en pos dichosas le siguen sus ovejas, do las pace con inmortales rosas, con flor que siempre nace, y cuanto más se goza más renace.
Página 21 - Ah! no: deriva ogni sventura mia Da più terribil fonte... E che? Celarmi L'orror vorresti del mio stato? Ah! s'io Padre non fossi, come il son, pur troppo!
Página 188 - Diaz," cried the Lords, —but when they looked again, They saw Ruy Diaz ruling him, with the fragment of his rein ; They saw him proudly ruling, with gesture firm and calm, Like a true lord commanding — and obeyed as by a lamb. And so he led him foaming and panting to the King, But "No...
Página 29 - Oh, figli miei... Fui padre. Eccoti solo, o re; non un ti resta dei tanti amici, o servi tuoi.
Página 217 - THE hosts of Don Rodrigo were scattered in dismay, When lost was the eighth battle, nor heart nor hope had they ; He, when he saw that field was lost, and all his hope was flown, He turned him from his flying host, and took his way alone.
Página 140 - ¿A qué las firiestes a cinchas ea espolones? "Solas las dexastes en el robredo de Corpes, "a las bestias fieras ea las aves del mont. "Por quanto les fiziestes menos valedes vos.
Página 185 - Compostella, where the shrine doth by the altar stand, The good Rodrigo de Bivar is riding through the land. Where'er he goes, much alms he throws, to feeble folk and poor ; Beside the way for him they pray, him blessings to procure ; For, God and Mary Mother, their heavenly grace to win, His hand was ever bountiful: great was his joy therein.