Historical View of the Literature of the South of Europe, Volumen3H. Colburn and Company, 1823 |
Dentro del libro
Resultados 1-5 de 54
Página 1
... tragedies was , perhaps , the greatest epoch in the literary history of Italy , during the eighteenth century . Up to that period the nation , contented with their languid love - plots and effeminate dramas , con- sidered the rules of ...
... tragedies was , perhaps , the greatest epoch in the literary history of Italy , during the eighteenth century . Up to that period the nation , contented with their languid love - plots and effeminate dramas , con- sidered the rules of ...
Página 2
... tragedy mingled with the love of glory and of liberty . The theatre , which had been so long considered the school of intrigue , of languor , of effeminacy , and of servility , was now regarded by the first Italians as the only nurse of ...
... tragedy mingled with the love of glory and of liberty . The theatre , which had been so long considered the school of intrigue , of languor , of effeminacy , and of servility , was now regarded by the first Italians as the only nurse of ...
Página 3
... tragedies which he first published were only a small portion of the number which remained in his desk . At three different periods he successively submitted these tragedies to the judgment of the public . In the interval between these ...
... tragedies which he first published were only a small portion of the number which remained in his desk . At three different periods he successively submitted these tragedies to the judgment of the public . In the interval between these ...
Página 4
... tragedy , being entitled Virginia , necessarily terminated with the death of his heroine , lets the curtain drop upon the people and the lictors in the midst of the conflict , so that the audience is ignorant of the result , and whether ...
... tragedy , being entitled Virginia , necessarily terminated with the death of his heroine , lets the curtain drop upon the people and the lictors in the midst of the conflict , so that the audience is ignorant of the result , and whether ...
Página 5
... tragedies of Alfieri , of the second period , we shall select the Agamemnon , in order to give some idea of a Greek drama of four cha- racters , the interest of which does not arise from political events . The scene , which is laid in ...
... tragedies of Alfieri , of the second period , we shall select the Agamemnon , in order to give some idea of a Greek drama of four cha- racters , the interest of which does not arise from political events . The scene , which is laid in ...
Otras ediciones - Ver todas
Términos y frases comunes
acquainted Ægisthus Agamemnon Alfieri Alfonso Alonzo amongst ancient appear Aragon Araucans attempt battle beautiful bien Boscan canto captive Carion Castile Castilian celebrated century Cervantes character Charles chivalry Christian Clytemnestra combat comedies commencement composition Count daughters death display Don Quixote drama endeavoured epic Ercilla excite eyes feelings Ferdinand French Garcilaso genius give glory Grenada heart hero history of Spain honour idea imagination imitation Infants Italian Italy Juan king kingdom of Leon knight language literature Lope de Vega MADRE manners Moorish Moors mother Musulmans nation never noble Numantia Nuño passion pastoral period poem poet poetical poetry possess present preserved prince Pues racter reader redondilhas reign Rodrigo romances Sancho Saul scene sentiments sonnets Spain Spaniards Spanish Spanish poetry spirit stanzas style sword talents taste TELLO theatre thee thou Thyestes tion tragedy translation truth verses Visigoths Voltaire writers Ximena
Pasajes populares
Página 272 - ... mundo cubre, de do viene el temor que nos espanta y la medrosa forma en que se ofrece aquello que la noche nos encubre, hasta que el sol descubre su luz pura y hermosa: tal es la tenebrosa noche de tu partir, en que he quedado de sombra y de temor atormentado, hasta que muerte el tiempo determine que a ver el deseado sol de tu clara vista me encamine.
Página 184 - To do his bridal honour, their walls the burghers screen. They lead the bulls before them all covered o'er with trappings ; The little boys pursue them with hootings and with clappings ; The fool, with cap and bladder, upon his ass goes prancing, Amidst troops of captive maidens with bells and cymbals dancing.
Página 314 - El va y en pos dichosas le siguen sus ovejas, do las pace con inmortales rosas, con flor que siempre nace, y cuanto más se goza más renace.
Página 21 - Ah! no: deriva ogni sventura mia Da più terribil fonte... E che? Celarmi L'orror vorresti del mio stato? Ah! s'io Padre non fossi, come il son, pur troppo!
Página 188 - Diaz," cried the Lords, —but when they looked again, They saw Ruy Diaz ruling him, with the fragment of his rein ; They saw him proudly ruling, with gesture firm and calm, Like a true lord commanding — and obeyed as by a lamb. And so he led him foaming and panting to the King, But "No...
Página 29 - Oh, figli miei... Fui padre. Eccoti solo, o re; non un ti resta dei tanti amici, o servi tuoi.
Página 217 - THE hosts of Don Rodrigo were scattered in dismay, When lost was the eighth battle, nor heart nor hope had they ; He, when he saw that field was lost, and all his hope was flown, He turned him from his flying host, and took his way alone.
Página 140 - ¿A qué las firiestes a cinchas ea espolones? "Solas las dexastes en el robredo de Corpes, "a las bestias fieras ea las aves del mont. "Por quanto les fiziestes menos valedes vos.
Página 185 - Compostella, where the shrine doth by the altar stand, The good Rodrigo de Bivar is riding through the land. Where'er he goes, much alms he throws, to feeble folk and poor ; Beside the way for him they pray, him blessings to procure ; For, God and Mary Mother, their heavenly grace to win, His hand was ever bountiful: great was his joy therein.