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" If the arguments, used in this essay, have any weight, it will appear, that the finest parts of poetry, music, and painting, are expressive of the passions, and operate on our minds by sympathy; that the inferior parts of them are descriptive of natural... "
The Harmonicon - Página 150
1826
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The Literary Magazine, and American Register, Volumen1

1804 - 496 páginas
...this essay, have any weight, it will appear, that the finest parts of poetry , music, and painting, are expressive of the passions, and operate on our...pity, desire, and the tender passions, as well as the description of objects that delight the senses, produce in the arts what we call the beautiful ; but...
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The Poems and Life of Sir William Jones...

William Jones - 1818 - 312 páginas
...inferior parts of them are descriptive of natnral ohjects, and aifect ns chiefly hy snhstitntion ; that the expressions of love, pity, desire, and the tender passions, as well as the descriptions of ohjects that delight the senses, prodnce in the arts what we call the heantijnt.1 hnt that hate, anger,...
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A History of Modern Criticism 1750-1950: Volume 1, The Later Eighteenth Century

René Wellek - 1981 - 378 páginas
...precisely because poetry was to him mainly lyrical poetry. "The finest parts of poetry, music and painting, are expressive of the passions, and operate on our minds by sympathy. The inferior parts of them are descriptive of natural objects, and affect us chiefly by substitution."...
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The Mirror and the Lamp: Romantic Theory and the Critical Tradition

Meyer Howard Abrams - 1971 - 420 páginas
...appear, that the finest parts of poetry, musick, and painting, are expressive of the passions . . . that the inferior parts of them are descriptive of natural objects, and aifcct us chiefly by substitution.*0 Jones's theory shows that inversion of aesthetic values which...
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Die Wende Von Der Aufklärung Zur Romantik 1760-1820: Epoche Im Überblick

Horst Albert Glaser, György Mihály Vajda - 2000 - 784 páginas
...aufgestellt, letzteren selbstverständlich den Vorzug gebend. The finest parts of poetry, music and painting, are expressive of the passions, and operate on our minds by sympathy. The inferior parts of them are descriptive of natural objects, and affect us chiefly by Substitution.14...
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The Future of Beauty in Theatre, Literature and the Arts

Daniel Meyer-Dinkgräfe - 2005 - 182 páginas
...passions, that the true poetry had always been lyrical, for "the finest parts of poetry, music and painting are expressive of the passions and operate on our minds by sympathy [...and] the inferieurs parts of them are descriptive of natural objects and affects us chiefly by...
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Geschichte der Literaturkritik: Das späte 18. Jahrhundert, das Zeitalter der ...

René Wellek - 1978 - 768 páginas
...(London, 1762), S. 70 ff. 62. Jones: Poems, S. 217: »The finest parts of poetry, music, and painting, are expressive of the passions, and operate on our minds by sympathy. The inferior parts of them are descriptive of natural objects, and affect us chiefly by substitution.«...
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Immediacy: The Development of a Critical Concept from Addison to Coleridge

Wallace Jackson - 1973 - 138 páginas
...sister arts that is merely a modification of Burke's: "the finest parts of poetry, music, and painting, are expressive of the passions, and operate on our minds by sympathy;... the inferior parts of them are descriptive of natural objects, and affect us chiefly by substitution.....
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