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" Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit" ["The Work of Art in the Age of Mechanical... "
Audiovisions: Cinema and Television as Entr'actes in History - Página 114
por Siegfried Zielinski - 1999 - 356 páginas
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Architecture and Utopia: Design and Capitalist Development

Manfredo Tafuri - 1979 - 204 páginas
...content." Despite the acuteness of Benjamin's observations, neither in his essays on Baudelaire, nor in "Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit" ("The Work of Art in the Era of Its Technical Reproducibility"), does he relate this invasion of the ways of production in the...
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A History of German Literary Criticism, 1730-1980

Peter Uwe Hohendahl, Klaus L. Berghahn - 1988 - 496 páginas
...an address delivered in Paris, "Der Autor als Produzent" (The author as producer); and the article "Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit" (The work of art in the age of technical reproduction) — are distinguished by a concept of art that abandons the adherence to...
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Encyclopedia of Contemporary Literary Theory: Approaches, Scholars, Terms

Irene Rima Makaryk - 1993 - 676 páginas
...possessed and reproduced over and over again. Benjamin develops this latter theme in his most famous essay, 'Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit' [The Work of Art in the Age of Mechanical Reproduction' 1935], in which he uses aura to designate not any formal feature of a work...
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Ariadne's Thread: Story Lines

J. Hillis Miller - 1995 - 308 páginas
...Benjamin's distinction between 204-27 cult value and exhibition value (Kultwert and Ausstellungswert) in "Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit (The Work of Art in the Age of Mechanical Reproduction)." Benjamin, llluminationen, pp. 15657; Benjamin, Illuminations, pp. 224-25....
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The Translatability of Cultures: Figurations of the Space Between

Sanford Budick - 1996 - 372 páginas
...transform cultures. Walter Benjamin has argued this persuasively for photography and film in a famous essay, "Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit" ("The Work of Art in the Age of Mechanical Reproduction").4 Photography and cinema have been followed by transistor radios, television,...
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Aesthetic Theory

Theodor W. Adorno - 1997 - 428 páginas
...direct reference is to Hegel, the phraseology at the same time quotes the title of Walter Benjamin's essay "Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit" ("The Work of Art in the Age of Its Mechanical Reproduction"), a title on which Adorno works repeated variations, often in ways...
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The Cambridge History of German Literature

Helen Watanabe-O'Kelly - 2000 - 632 páginas
...(Enzensberger) rather than poets, to demystify their role and that of literature. Walter Benjamin's 'Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit' ('The work of art in the age of mechanical reproduction') was an important influence. The forming of the 'Verband deutscher Schriftsteller'...
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Philosophy and the Return to Self-knowledge

Donald Phillip Verene - 1997 - 332 páginas
...Lawrence's Lady Chatterley's Lover. The first to see these possibilities was Walter Benjamin, in his "Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit" (The work of art in the age of "mechanical" reproduction). 70 It is unnecessary that the viewer have any idea of the source of...
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Walter Benjamin: The Colour of Experience

Howard Caygill - 1998 - 188 páginas
...Second Empire bei Baudelaire ( The Paris of the Second Empire in Baudelaire), GS 1.2; CB, 11-106. 1 939a Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit ( The Work of Art in the Epoch of its Technical Reproducibility) [Final Version], GS 1.2; I, 219-53. 1939b Zentralpark (Central...
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A Critic's Journey: Literary Reflections, 1958-1998

Geoffrey H. Hartman, Professor Geoffrey H Hartman - 1999 - 348 páginas
...become more startling. He talks of the historian as "kindling a spark of hope in i. See Walter Benjamin, "Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit" [The work of art in the era of its technical reproduction] (1936), Gesammelte Schriften, ed. Rolf Tiedemann and Hermann Schweppenhäuser,...
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