Journal of the American Musicological Society, Volumen44

aesthetic American Musicological Society Antoine Busnoys Ave maria B-Gu Bartók Béla Bartók breve rests Cambridge cantus firmus chant Charles Seeger Clangat plebs composer composer's composition court Cowell's Credo dance discussion diss duets dyad-class Edited eighteenth century El Gran Combo Example face ay pale Fay's firmi genre Ghent Grainger Henry Cowell humor hydraulis Illibata imitation implicit perfect modus irony isorhythmic motets Italian Johann Joseph Haydn Josquin JOURNAL Laurence Sterne letter Livinus London Mahler mass measure Medieval Missa de Sancto Missa Di dadi Missa L'ami baudichon Missa L'homme armé modus disposition movement musicians Musicology Musik notation notes octatonic octatonic collection opera Oxford partitions perfect tempus performance phrase piano piece Pipelare Pipelare's plainsong polyphony published Regis Reinhard Strohm Renaissance repertory rhymed Office Ruth Crawford Seeger San Quentin Sancto Livino singers Sonata sources Sterne Studies style Symphony Taruskin technique tenor tetrachords theater tradition transpositional University Press voices Volume York