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Addiſon afterwards anſwer appear beauty beſt better called character common Congreve delight died Dryden earl elegant Engliſh epigram equal excellence eyes face fair fame fight firſt fome French friends give grace hands hero himſelf honour hope houſe imitation juſt kind king language laſt learned leave leſs lines live looks lord Love mention mind moſt Muſe muſt nature never numbers occaſion once Oxford party paſſed perhaps perſon pieces play pleaſing pleaſure poem poet poetry Pope praiſe preſent Prior produced publick publiſhed queen reaſon received requires Rowe ſaid ſame ſay ſcene ſee ſeems ſenſe ſhall ſhould ſome ſtage ſtate ſtill ſuch ſuppoſed theſe thing thoſe thought Tickell tion tranſlated true truth turn uſed verſe whoſe write written wrote
Página 27 - And shoot a chilness to my trembling heart. Give me thy hand, and let me hear thy voice ; Nay, quickly speak to me, and let me hear Thy voice — my own affrights me with its echoes.
Página 27 - He who reads these lines enjoys for a moment the powers of a poet ; he feels what he remembers to have felt before ; but he feels it with great increase of sensibility ; he recognizes a familiar image, but meets it again amplified and expanded, embellished with -beauty and enlarged with majesty.
Página 21 - I must acquaint you, there is a vivacity and gaiety of disposition, almost peculiar to him, which make it impossible to part from him without that uneasiness which generally succeeds all our pleasure.
Página 43 - He shall bring with him, if you will, a young Poet, newly inspir'd, in the neighbourhood of Cooper's Hill, whom he and Walsh have taken under their Wing; his name is Pope; he is not above Seventeen or Eighteen Years of Age and promises Miracles; If he goes on as he has begun, in the Pastoral way, as Virgil first try'd his Strength, we may hope to see English Poetry vie with the Roman, and this Swan of Windsor sing as sweetly as the Mantuan.
Página 55 - All I can say for those passages, which are, I hope, not many, is, that I knew they were bad enough to please, even when I writ them...
Página 39 - WHERE bold and graceful foars, fecure of fame, The pile, now worthy great Philippa's name, Mark that old ruin, Gothic and uncouth, Where the Black Edward pafs'd his beardlefs youth ; And the Fifth Henry, for his firft renown, Out-ftripp'd each rival, in a ftudent's gown.
Página 5 - Button's coffee-house, where I used to see him almost every day — On his meeting me there one day in particular, he took me aside, and said he should be glad to dine with me, at such a tavern, if I staid till those people were gone (Budgell and Philips).
Página 24 - His scenes exhibit not much of humour, imagery, or passion : his personages are a kind of intellectual gladiators ; every sentence is to ward or strike ; the contest of smartness is never intermitted ; his wit is a meteor playing to and fro with alternate coruscations.
Página 16 - The cause of Congreve was not tenable; whatever glosses he might use for the defence or palliation of single passages, the general tenour and tendency of his plays must always be condemned. It is acknowledged, with universal conviction, that the perusal of his works will make no man better ; and that their ultimate effect is to represent pleasure in alliance with vice, and to relax those obligations by which life ought to be regulated.