Bartók's Mikrokosmos: Genesis, Pedagogy, and Style
Rowman & Littlefield, 2004 - 185 páginas
Now available in paperback! Béla Bartók's Mikrokosmos is a collection of 153 pieces for piano designed by the composer as a series graded according to difficulty. The pieces were written between 1926 and 1939, and have become by far the best-known series of teaching pieces by a major composer in the twentieth century. This in-depth study investigates Bartók's Mikrokosmos from three main viewpoints: the genesis of the pieces, their pedagogical value, and their stylistic qualities. The book is intended for piano teachers, students, and performers as well as anyone interested in Bartók's life and work as pianist, educator, and composer. Cloth originally published in 2002 under ISBN 0-8108-4427-3.
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accents Accompanying Figurations bagpipe bars Bartok Bartok’s Comments beat Béla Bartok Boosey BROKEN CHORD PLAYING Budapest canonic Change of clef change of tempo chromatic Clef changes Combined Touch-Forms concert Counterpoint damper dance degrees dotted tenuto Dynamic Contrast ends espressivo Exercise EXPRESSION ﬁfth FINGER INDEPENDENCE FINGERING PROBLEMS ﬁrst folk music fundamental tone half note Hand crossings HAND INDEPENDENCE Hawkes hexachord Hungarian Ibid interlude INTERVAL PLAYING key signature Legato Lydian major sevenths marcato melody meter Mikrokosmos minor second Mixed accidentals mode motif Musicianship non-legato NOTATION octatonic scale octave ostinato Part-playing PASSAGE-WORK pedal pentachord pentatonic percussive Phrasing Phrygian Phrygian mode pianist piano piano pieces pitch collection portamento principal tone pulse unit pupil quarter note reﬂects rhythm schemata Romanian Scalar passages schema separating signs seventh chord song staccatissimo staccato stretto structure style Suggestions Syncopation Technique tenuto ternary form tetrachord theme tion tonality tonic TOUCH triads trichords variant voice whole-tone Z-cell