Texan JazzTexas musicians and jazz share a history that goes all the way back to the origins of jazz in ragtime, blues, and boogie-woogie. Texans have left their mark on all of jazz's major movements, including hot jazz, swing, bebop, the birth of the cool, hard bop, and free jazz. Yet these musicians are seldom identified as Texans because their careers often took them to the leading jazz centers in New Orleans, Chicago, New York, Kansas City, and Los Angeles. In Texan Jazz, Dave Oliphant reclaims these musicians for Texas and explores the vibrant musical culture that brought them forth. Working through the major movements of jazz, he describes the lives, careers, and recordings of such musicians as Scott Joplin, Hersal Thomas, Blind Lemon Jefferson, Sippie Wallace, Jack Teagarden, Buster Smith, Hot Lips Page, Eddie Durham, Herschel Evans, Charlie Christian, Red Garland, Kenny Dorham, Jimmy Giuffre, Ornette Coleman, John Carter, and many others. The great strength of Texan Jazz is its record of the contributions to jazz made by African-American Texans. The first major book on this topic ever published, it will be fascinating reading for everyone who loves jazz. |
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Página 58
On March 1 and 3 , 1926 , some four months prior to the sudden death of her
brother Hersal Thomas , apparently by poisoning , Sippie again recorded with
Louis Armstrong , along with Hersal on piano . The trio performed two of Sippie ' s
own ...
On March 1 and 3 , 1926 , some four months prior to the sudden death of her
brother Hersal Thomas , apparently by poisoning , Sippie again recorded with
Louis Armstrong , along with Hersal on piano . The trio performed two of Sippie ' s
own ...
Página 61
On March 3 , 1926 , Sippie again recorded with Louis and Hersal , producing
three more tunes : The Mail Train Blues , I Feel Good , and A Man for Every Day
in the Week ( the first by Blair - Lethwick and the last two credited to Thomas ) .
On March 3 , 1926 , Sippie again recorded with Louis and Hersal , producing
three more tunes : The Mail Train Blues , I Feel Good , and A Man for Every Day
in the Week ( the first by Blair - Lethwick and the last two credited to Thomas ) .
Página 67
Hociel Thomas was also joined by Louis and Hersal on four of her songs
recorded on February 24 , 1926 , and these are marked by a different style from
cornet and piano and by greater warmth on the part of the vocalist . Although
Hociel still ...
Hociel Thomas was also joined by Louis and Hersal on four of her songs
recorded on February 24 , 1926 , and these are marked by a different style from
cornet and piano and by greater warmth on the part of the vocalist . Although
Hociel still ...
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Texan jazz
Crítica de los usuarios - Not Available - Book VerdictWhile Texas is not generally thought of with New Orleans, New York, Los Angeles, Kansas City, and Chicago as a hotbed of jazz, Oliphant (editor of the Library Chronicle, Harry Ransom Humanities ... Leer comentario completo
Texan jazz
Crítica de los usuarios - Not Available - Book VerdictWhile Texas is not generally thought of with New Orleans, New York, Los Angeles, Kansas City, and Chicago as a hotbed of jazz, Oliphant (editor of the Library Chronicle, Harry Ransom Humanities ... Leer comentario completo
Contenido
Introduction | 1 |
BEGINNINGS IN EAST TEXAS | 7 |
Ragtime | 9 |
Derechos de autor | |
Otras 20 secciones no mostradas
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Términos y frases comunes
album alto approach Armstrong arrangement band Basie bass beginning Benny blues born Budd Buster called Carter Charlie chords chorus clarinet classic Coleman composer composition Count Basie create Dallas Dance Davis drums Durham earlier early Eddie effect ensemble entitled Evans feeling figures four Giuffre Goodman guitar Gunther Schuller heard Hot Lips Page Ibid important improvisation included influence James jazz Jimmy John Johnson joined Joplin's Kansas City King later Lester liner notes lines Lionel Hampton Lips Louis March melodic Mingus Moten moving musicians Nat Hentoff opening orchestra original Ornette Coleman Parker performance phrases pianist piano piece player playing produced Quoted ragtime recorded rhythm Russell Schuller seems session shows sides singer Smith solo soloist song sound Street style Swing takes Teagarden tenor Texan Texas theme Thomas tradition trombone trumpet tune writes York Young