Satchmo: The Genius of Louis ArmstrongHachette Books, 2009 M03 5 - 216 páginas Gary Giddins has been called "the best jazz writer in America today" (Esquire). Louis Armstrong has been called the most influential jazz musician of the century. Together this auspicious pairing has resulted in Satchmo, one of the most vivid and fascinating portraits ever drawn of perhaps the greatest figure in the history of American music. Available now at a new price, this text-only edition is the authoritative introduction to Armstrong's life and art for the curious newcomer, and offers fresh insight even for the serious student of Pops. |
Contenido
One | 3 |
Two | 13 |
Three | 21 |
Seven 13 | 67 |
The Artist as Entertainer | 79 |
One | 81 |
Three | 105 |
Four | 117 |
Six | 133 |
Seven | 145 |
New Orleans | 151 |
Discographij | 161 |
175 | |
Acknowledgments | 181 |
185 | |
Five | 123 |
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Términos y frases comunes
American appeared Archive artist asked audience Baby band became Blues boys break called career Chicago colored concert cornet early especially eyes feel figure five friends gave Glaser Hall hand hard head hear heard Henderson improvisation Jack jazz kind King Oliver knew known later less letter lived look Louis Armstrong Louis's loved Lucille Mama material Mayann mother move musicians never night notes Oliver Orchestra original Orleans performances play player records returned Satchmo seemed sessions side sing singer solo song soon sound stage Stars started Street strong style swing talk tell thing thought tion told took tour trumpet turned vocal voice writing wrote York young