Sylvia PlathHarold Bloom Bloom's Literary Criticism, 2007 - 250 páginas Each title features: - A complex critical portrait of one of the most influential writers in the world - An introductory essay by Harold Bloom. |
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Página 62
... Ouija " ) have set rhyme schemes usually of imperfect rhymes . Again she works with various patterns of different degrees of difficulty ; in “ A Lesson in Vengeance , ” for example , the last word of every line ends in " s , " while ...
... Ouija " ) have set rhyme schemes usually of imperfect rhymes . Again she works with various patterns of different degrees of difficulty ; in “ A Lesson in Vengeance , ” for example , the last word of every line ends in " s , " while ...
Página 75
... Ouija " in the section proper . While the latter was perhaps written earlier in the year since Hughes and Plath had been consulting a spirit in the Ouija board since February ( see LH 337 ) , it seems more plausible that it emerged in ...
... Ouija " in the section proper . While the latter was perhaps written earlier in the year since Hughes and Plath had been consulting a spirit in the Ouija board since February ( see LH 337 ) , it seems more plausible that it emerged in ...
Página 76
... Ouija board by February 1957. Plath wrote her mother that " Pan ( our Ouija imp ) has been getting better and better about [ predicting the soccer pools ] .... We keep telling Pan we want [ the prize money ] so we can have leisure to ...
... Ouija board by February 1957. Plath wrote her mother that " Pan ( our Ouija imp ) has been getting better and better about [ predicting the soccer pools ] .... We keep telling Pan we want [ the prize money ] so we can have leisure to ...
Contenido
Sylvia Plath and the Poetry of Confession | 7 |
Daddy | 21 |
The Poems of 1957 | 59 |
Derechos de autor | |
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Anne Sexton Ariel poems Auschwitz become Bell Jar Berck-Plage Butscher child Collected Poems Colossus confessional poetry critical Crossing the Water Daddy Dead Dears death describes drafts early poems echoes essay experience fantasy father female femininity figure final Freud German Gothic Hardcastle Crags Heptonstall Herr historical Holocaust Hughes's I-speaker identification imagery irony Jacqueline Rose Jewish Johnny Panic journal Lady Lazarus landscape language late poems literary Little Fugue London lyric male memory metaphor moon mother mourning Munich Mannequins narrative Nazi Nazism Ouija Peter Orr Plath wrote Plath's poems poem's poet poet's poetic poetry prosopopoeia psychic published reader reference rhetorical rhyme seems sense sexual Sheep in Fog Shoah speaker stanza stone story suggests suicide survivors Sylvia Plath symbolic Ted Hughes thin Totem transitional poems trope tulips University Press verse victim voice woman women words writing written yew tree York