Sylvia PlathHarold Bloom Bloom's Literary Criticism, 2007 - 250 páginas Each title features: - A complex critical portrait of one of the most influential writers in the world - An introductory essay by Harold Bloom. |
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Página 87
... world comes clear and fills with color . They no longer disappear when dawn comes and dreams fade away , but remain in the daytime world where they take away its color and fullness , robbing it of what they themselves lack . It is a ...
... world comes clear and fills with color . They no longer disappear when dawn comes and dreams fade away , but remain in the daytime world where they take away its color and fullness , robbing it of what they themselves lack . It is a ...
Página 215
... world , to experience for a few moments the primal pain in which all is terror and chaos : My eyes are squeezed by this blackness . I see nothing . But after the birth , that feeling of terror changes . The child born is one of many ...
... world , to experience for a few moments the primal pain in which all is terror and chaos : My eyes are squeezed by this blackness . I see nothing . But after the birth , that feeling of terror changes . The child born is one of many ...
Página 216
... world is outside the hospital ; leaving the child , she leaves behind some part of herself in a place that has been unreal to her . This is in direct contrast with the First Voice for whom the hospital becomes the centre of the world ...
... world is outside the hospital ; leaving the child , she leaves behind some part of herself in a place that has been unreal to her . This is in direct contrast with the First Voice for whom the hospital becomes the centre of the world ...
Contenido
Sylvia Plath and the Poetry of Confession | 7 |
Daddy | 21 |
The Poems of 1957 | 59 |
Derechos de autor | |
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Anne Sexton Ariel poems Auschwitz become Bell Jar Berck-Plage Butscher child Collected Poems Colossus confessional poetry critical Crossing the Water Daddy Dead Dears death describes drafts early poems echoes essay experience fantasy father female femininity figure final Freud German Gothic Hardcastle Crags Heptonstall Herr historical Holocaust Hughes's I-speaker identification imagery irony Jacqueline Rose Jewish Johnny Panic journal Lady Lazarus landscape language late poems literary Little Fugue London lyric male memory metaphor moon mother mourning Munich Mannequins narrative Nazi Nazism Ouija Peter Orr Plath wrote Plath's poems poem's poet poet's poetic poetry prosopopoeia psychic published reader reference rhetorical rhyme seems sense sexual Sheep in Fog Shoah speaker stanza stone story suggests suicide survivors Sylvia Plath symbolic Ted Hughes thin Totem transitional poems trope tulips University Press verse victim voice woman women words writing written yew tree York