Sylvia PlathHarold Bloom Bloom's Literary Criticism, 2007 - 250 páginas Each title features: - A complex critical portrait of one of the most influential writers in the world - An introductory essay by Harold Bloom. |
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Página 119
... argues , an archaic figure of ' vocation ' which calls up the spirit of poetry . " The poet makes himself a poetic presence through an image of voice , and nothing figures voice better than the pure “ O ” of undifferentiated voicing ...
... argues , an archaic figure of ' vocation ' which calls up the spirit of poetry . " The poet makes himself a poetic presence through an image of voice , and nothing figures voice better than the pure “ O ” of undifferentiated voicing ...
Página 131
... argues , ' the irony of the monologue that makes everything in its image would be in this ratio : the greater the absolutism of the statements , the greater the subjectivity and relativity in the position of the agent making the ...
... argues , ' the irony of the monologue that makes everything in its image would be in this ratio : the greater the absolutism of the statements , the greater the subjectivity and relativity in the position of the agent making the ...
Página 185
... argues that " it is decidedly unlikely " that the condition of the Jews in the camps " was duplicated in a middle - class family living in Wellesley , Massachusetts , even if it had a very bad daddy indeed ” in his Letter to the Editor ...
... argues that " it is decidedly unlikely " that the condition of the Jews in the camps " was duplicated in a middle - class family living in Wellesley , Massachusetts , even if it had a very bad daddy indeed ” in his Letter to the Editor ...
Contenido
Sylvia Plath and the Poetry of Confession | 7 |
Daddy | 21 |
The Poems of 1957 | 59 |
Derechos de autor | |
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Anne Sexton Ariel poems Auschwitz become Bell Jar Berck-Plage Butscher child Collected Poems Colossus confessional poetry critical Crossing the Water Daddy Dead Dears death describes drafts early poems echoes essay experience fantasy father female femininity figure final Freud German Gothic Hardcastle Crags Heptonstall Herr historical Holocaust Hughes's I-speaker identification imagery irony Jacqueline Rose Jewish Johnny Panic journal Lady Lazarus landscape language late poems literary Little Fugue London lyric male memory metaphor moon mother mourning Munich Mannequins narrative Nazi Nazism Ouija Peter Orr Plath wrote Plath's poems poem's poet poet's poetic poetry prosopopoeia psychic published reader reference rhetorical rhyme seems sense sexual Sheep in Fog Shoah speaker stanza stone story suggests suicide survivors Sylvia Plath symbolic Ted Hughes thin Totem transitional poems trope tulips University Press verse victim voice woman women words writing written yew tree York