Sylvia PlathHarold Bloom Bloom's Literary Criticism, 2007 - 250 páginas Each title features: - A complex critical portrait of one of the most influential writers in the world - An introductory essay by Harold Bloom. |
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Página 26
... called Ariel , is to become like an altar , i.e. , ' a scene of holocaust ' ... ' The altar of holocausts is called the " ariel of God " . " 18 This also suggests another interpretation of the passage : ' hoping for houses in a ...
... called Ariel , is to become like an altar , i.e. , ' a scene of holocaust ' ... ' The altar of holocausts is called the " ariel of God " . " 18 This also suggests another interpretation of the passage : ' hoping for houses in a ...
Página 71
... called ' All the Dead Dears " " ( 352 ) . While she typically tends to label the poem that she has most recently completed as her best yet or among her best , in this instance her evaluation is sound , for it is among the strongest of ...
... called ' All the Dead Dears " " ( 352 ) . While she typically tends to label the poem that she has most recently completed as her best yet or among her best , in this instance her evaluation is sound , for it is among the strongest of ...
Página 116
... called ' the Romantic agony'.3 Her alternation between the roles of persecuted heroine and avenging female demon connects the drama of literary inheritance with the themes of ambition , domesticity , and revenge . THE UNCANNY MARRIAGE ...
... called ' the Romantic agony'.3 Her alternation between the roles of persecuted heroine and avenging female demon connects the drama of literary inheritance with the themes of ambition , domesticity , and revenge . THE UNCANNY MARRIAGE ...
Contenido
Sylvia Plath and the Poetry of Confession | 7 |
Daddy | 21 |
The Poems of 1957 | 59 |
Derechos de autor | |
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Anne Sexton Ariel poems Auschwitz become Bell Jar Berck-Plage Butscher child Collected Poems Colossus confessional poetry critical Crossing the Water Daddy Dead Dears death describes drafts early poems echoes essay experience fantasy father female femininity figure final Freud German Gothic Hardcastle Crags Heptonstall Herr historical Holocaust Hughes's I-speaker identification imagery irony Jacqueline Rose Jewish Johnny Panic journal Lady Lazarus landscape language late poems literary Little Fugue London lyric male memory metaphor moon mother mourning Munich Mannequins narrative Nazi Nazism Ouija Peter Orr Plath wrote Plath's poems poem's poet poet's poetic poetry prosopopoeia psychic published reader reference rhetorical rhyme seems sense sexual Sheep in Fog Shoah speaker stanza stone story suggests suicide survivors Sylvia Plath symbolic Ted Hughes thin Totem transitional poems trope tulips University Press verse victim voice woman women words writing written yew tree York