Sylvia PlathHarold Bloom Bloom's Literary Criticism, 2007 - 250 páginas Each title features: - A complex critical portrait of one of the most influential writers in the world - An introductory essay by Harold Bloom. |
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Página 105
... characters and situations remain more or less abstract . Further , there are among these transitional works more landscape poems than appear proportionately in the work of the other periods . In them , the speaker is “ I , ” and “ I ...
... characters and situations remain more or less abstract . Further , there are among these transitional works more landscape poems than appear proportionately in the work of the other periods . In them , the speaker is “ I , ” and “ I ...
Página 106
... characters fail to become real beings in a number of the other poems of Crossing the Water . “ A Life , ” for example , seems to have both speaker and listener - someone is giving various orders to someone else — but we remain unsure of ...
... characters fail to become real beings in a number of the other poems of Crossing the Water . “ A Life , ” for example , seems to have both speaker and listener - someone is giving various orders to someone else — but we remain unsure of ...
Página 203
... character's notion of becoming " incandescent " ) , but she finds a more significant correspondence between Plath's work and the late poems of Yeats , particularly his " To Dorothy Wellesley . " There he writes of Wellesley being no ...
... character's notion of becoming " incandescent " ) , but she finds a more significant correspondence between Plath's work and the late poems of Yeats , particularly his " To Dorothy Wellesley . " There he writes of Wellesley being no ...
Contenido
Sylvia Plath and the Poetry of Confession | 7 |
Daddy | 21 |
The Poems of 1957 | 59 |
Derechos de autor | |
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Anne Sexton Ariel poems Auschwitz become Bell Jar Berck-Plage Butscher child Collected Poems Colossus confessional poetry critical Crossing the Water Daddy Dead Dears death describes drafts early poems echoes essay experience fantasy father female femininity figure final Freud German Gothic Hardcastle Crags Heptonstall Herr historical Holocaust Hughes's I-speaker identification imagery irony Jacqueline Rose Jewish Johnny Panic journal Lady Lazarus landscape language late poems literary Little Fugue London lyric male memory metaphor moon mother mourning Munich Mannequins narrative Nazi Nazism Ouija Peter Orr Plath wrote Plath's poems poem's poet poet's poetic poetry prosopopoeia psychic published reader reference rhetorical rhyme seems sense sexual Sheep in Fog Shoah speaker stanza stone story suggests suicide survivors Sylvia Plath symbolic Ted Hughes thin Totem transitional poems trope tulips University Press verse victim voice woman women words writing written yew tree York