Sylvia PlathHarold Bloom Bloom's Literary Criticism, 2007 - 250 páginas Each title features: - A complex critical portrait of one of the most influential writers in the world - An introductory essay by Harold Bloom. |
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Página 34
... Dead men cry from it . I am guilty of nothing . What does it mean here to ' see a voice ' ? To be deaf to it ? —not in the sense of hearing nothing , but of hearing , of seeing too much . That voice is pure German , a surfeit of orders ...
... Dead men cry from it . I am guilty of nothing . What does it mean here to ' see a voice ' ? To be deaf to it ? —not in the sense of hearing nothing , but of hearing , of seeing too much . That voice is pure German , a surfeit of orders ...
Página 74
... dead woman , with whom the speaker shares a kinship , continues to haunt her . Its omission suggests that Plath was beginning to be more judicious in editing her work . The inescapability of death dominates the final stanza , in which ...
... dead woman , with whom the speaker shares a kinship , continues to haunt her . Its omission suggests that Plath was beginning to be more judicious in editing her work . The inescapability of death dominates the final stanza , in which ...
Página 128
... dead ' and as ' a tree of dead men ' : The yew is many - footed Each foot stops a mouth So the yew is a go - between : It talks for the dead . A deaf man perceives this . He hears a black cry . The dead talk through it . O the voice of ...
... dead ' and as ' a tree of dead men ' : The yew is many - footed Each foot stops a mouth So the yew is a go - between : It talks for the dead . A deaf man perceives this . He hears a black cry . The dead talk through it . O the voice of ...
Contenido
Sylvia Plath and the Poetry of Confession | 7 |
Daddy | 21 |
The Poems of 1957 | 59 |
Derechos de autor | |
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Anne Sexton Ariel poems Auschwitz become Bell Jar Berck-Plage Butscher child Collected Poems Colossus confessional poetry critical Crossing the Water Daddy Dead Dears death describes drafts early poems echoes essay experience fantasy father female femininity figure final Freud German Gothic Hardcastle Crags Heptonstall Herr historical Holocaust Hughes's I-speaker identification imagery irony Jacqueline Rose Jewish Johnny Panic journal Lady Lazarus landscape language late poems literary Little Fugue London lyric male memory metaphor moon mother mourning Munich Mannequins narrative Nazi Nazism Ouija Peter Orr Plath wrote Plath's poems poem's poet poet's poetic poetry prosopopoeia psychic published reader reference rhetorical rhyme seems sense sexual Sheep in Fog Shoah speaker stanza stone story suggests suicide survivors Sylvia Plath symbolic Ted Hughes thin Totem transitional poems trope tulips University Press verse victim voice woman women words writing written yew tree York