Sylvia PlathHarold Bloom Bloom's Literary Criticism, 2007 - 250 páginas Each title features: - A complex critical portrait of one of the most influential writers in the world - An introductory essay by Harold Bloom. |
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Página 102
Harold Bloom. a difference " between finger - count " in Plath's early poems and " ear - count " in the late ; “ one measures the rhythm by rules , " he contends , whereas “ the other catches the movement by the inner disturbance it ...
Harold Bloom. a difference " between finger - count " in Plath's early poems and " ear - count " in the late ; “ one measures the rhythm by rules , " he contends , whereas “ the other catches the movement by the inner disturbance it ...
Página 104
... poems seem often artificially contrived , they nonetheless manage to evince sometimes a kind of raw force . It is not the disciplined , controlled power of the late poems , in which , to quote Richard Wilbur's comment on poetry in ...
... poems seem often artificially contrived , they nonetheless manage to evince sometimes a kind of raw force . It is not the disciplined , controlled power of the late poems , in which , to quote Richard Wilbur's comment on poetry in ...
Página 203
... poems too fast ... " 31 By 1962 , she had learned not to question the way poems came . As has been mentioned , Sandra Gilbert links the voice of many of Plath's late poems with the women's voices in The Waves ( in connection with ...
... poems too fast ... " 31 By 1962 , she had learned not to question the way poems came . As has been mentioned , Sandra Gilbert links the voice of many of Plath's late poems with the women's voices in The Waves ( in connection with ...
Contenido
Sylvia Plath and the Poetry of Confession | 7 |
Daddy | 21 |
The Poems of 1957 | 59 |
Derechos de autor | |
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Anne Sexton Ariel poems Auschwitz become Bell Jar Berck-Plage Butscher child Collected Poems Colossus confessional poetry critical Crossing the Water Daddy Dead Dears death describes drafts early poems echoes essay experience fantasy father female femininity figure final Freud German Gothic Hardcastle Crags Heptonstall Herr historical Holocaust Hughes's I-speaker identification imagery irony Jacqueline Rose Jewish Johnny Panic journal Lady Lazarus landscape language late poems literary Little Fugue London lyric male memory metaphor moon mother mourning Munich Mannequins narrative Nazi Nazism Ouija Peter Orr Plath wrote Plath's poems poem's poet poet's poetic poetry prosopopoeia psychic published reader reference rhetorical rhyme seems sense sexual Sheep in Fog Shoah speaker stanza stone story suggests suicide survivors Sylvia Plath symbolic Ted Hughes thin Totem transitional poems trope tulips University Press verse victim voice woman women words writing written yew tree York