Sylvia PlathHarold Bloom Bloom's Literary Criticism, 2007 - 250 páginas Each title features: - A complex critical portrait of one of the most influential writers in the world - An introductory essay by Harold Bloom. |
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Página 82
... narrator speaking from the protagonist's point of view . Both the technical elements and the speaker serve to restrain the volatile emotions underlying the poem . " Hardcastle Crags " begins with the explosive fireworks of the harsh ...
... narrator speaking from the protagonist's point of view . Both the technical elements and the speaker serve to restrain the volatile emotions underlying the poem . " Hardcastle Crags " begins with the explosive fireworks of the harsh ...
Página 84
... narrator , she creates a highly original symbolic landscape to carry the emotional content . Rosenthal and Gall , who suggest that it " may be the best poem in The Colossus , ” praise it as a “ relatively early instance of Plath's ...
... narrator , she creates a highly original symbolic landscape to carry the emotional content . Rosenthal and Gall , who suggest that it " may be the best poem in The Colossus , ” praise it as a “ relatively early instance of Plath's ...
Página 85
... narrator who speaks in the first - person plural for all sensitive human beings , seems to have come from Plath's own experiences at about the age of ten . In the short story “ Superman and Paula Brown's New Snowsuit , " written in 1955 ...
... narrator who speaks in the first - person plural for all sensitive human beings , seems to have come from Plath's own experiences at about the age of ten . In the short story “ Superman and Paula Brown's New Snowsuit , " written in 1955 ...
Contenido
Sylvia Plath and the Poetry of Confession | 7 |
Daddy | 21 |
The Poems of 1957 | 59 |
Derechos de autor | |
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Anne Sexton Ariel poems Auschwitz become Bell Jar Berck-Plage Butscher child Collected Poems Colossus confessional poetry critical Crossing the Water Daddy Dead Dears death describes drafts early poems echoes essay experience fantasy father female femininity figure final Freud German Gothic Hardcastle Crags Heptonstall Herr historical Holocaust Hughes's I-speaker identification imagery irony Jacqueline Rose Jewish Johnny Panic journal Lady Lazarus landscape language late poems literary Little Fugue London lyric male memory metaphor moon mother mourning Munich Mannequins narrative Nazi Nazism Ouija Peter Orr Plath wrote Plath's poems poem's poet poet's poetic poetry prosopopoeia psychic published reader reference rhetorical rhyme seems sense sexual Sheep in Fog Shoah speaker stanza stone story suggests suicide survivors Sylvia Plath symbolic Ted Hughes thin Totem transitional poems trope tulips University Press verse victim voice woman women words writing written yew tree York