Sylvia PlathHarold Bloom Bloom's Literary Criticism, 2007 - 250 páginas Each title features: - A complex critical portrait of one of the most influential writers in the world - An introductory essay by Harold Bloom. |
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Página 117
... object of perception.5 If what is primarily at stake in the Romantic ideology of lyric is the freedom and power of the mind in relation to the natural object , there is , for Plath , nothing ' disinterested ' about that relation . She ...
... object of perception.5 If what is primarily at stake in the Romantic ideology of lyric is the freedom and power of the mind in relation to the natural object , there is , for Plath , nothing ' disinterested ' about that relation . She ...
Página 118
... object with voice and its staging as a mask or mouthpiece for the poet's subjectivity — into a Gothic drama of the haunting of the subject . The subjective relation to the natural object alternates between the psychic tropes of ...
... object with voice and its staging as a mask or mouthpiece for the poet's subjectivity — into a Gothic drama of the haunting of the subject . The subjective relation to the natural object alternates between the psychic tropes of ...
Página 119
... object into an arena for a ghostly play of influence . By relocating the Romantic iconography of natural inspiration , oracular possession , and prophecy entirely within the natural object , Plath foregrounds an uncanny dimension within ...
... object into an arena for a ghostly play of influence . By relocating the Romantic iconography of natural inspiration , oracular possession , and prophecy entirely within the natural object , Plath foregrounds an uncanny dimension within ...
Contenido
Sylvia Plath and the Poetry of Confession | 7 |
Daddy | 21 |
The Poems of 1957 | 59 |
Derechos de autor | |
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