Sylvia PlathHarold Bloom Bloom's Literary Criticism, 2007 - 250 páginas Each title features: - A complex critical portrait of one of the most influential writers in the world - An introductory essay by Harold Bloom. |
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Página 38
... ( patriarchy the cause of all other types of oppression , which it then subordinates to itself ) . The poem thus presents itself as protest and emancipation from a condition which reduces the one oppressed to the barest minimum of human ...
... ( patriarchy the cause of all other types of oppression , which it then subordinates to itself ) . The poem thus presents itself as protest and emancipation from a condition which reduces the one oppressed to the barest minimum of human ...
Página 48
... patriarchy ( patriarchy as violence ) . The speaker's own violence would then be a legitimate and triumphant retaliation - one feminist reading of the text . Clearly this is one way in which the poem can be read , but , taken on its own ...
... patriarchy ( patriarchy as violence ) . The speaker's own violence would then be a legitimate and triumphant retaliation - one feminist reading of the text . Clearly this is one way in which the poem can be read , but , taken on its own ...
Página 49
... patriarchy , even if in some sense it can be seen as its effect . Fantasy and history are both lost in these two readings — in the eternal sameness of patriarchy and of women's singular relationship to it , in the eternal sameness of ...
... patriarchy , even if in some sense it can be seen as its effect . Fantasy and history are both lost in these two readings — in the eternal sameness of patriarchy and of women's singular relationship to it , in the eternal sameness of ...
Contenido
Sylvia Plath and the Poetry of Confession | 7 |
Daddy | 21 |
The Poems of 1957 | 59 |
Derechos de autor | |
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Anne Sexton Ariel poems Auschwitz become Bell Jar Berck-Plage Butscher child Collected Poems Colossus confessional poetry critical Crossing the Water Daddy Dead Dears death describes drafts early poems echoes essay experience fantasy father female femininity figure final Freud German Gothic Hardcastle Crags Heptonstall Herr historical Holocaust Hughes's I-speaker identification imagery irony Jacqueline Rose Jewish Johnny Panic journal Lady Lazarus landscape language late poems literary Little Fugue London lyric male memory metaphor moon mother mourning Munich Mannequins narrative Nazi Nazism Ouija Peter Orr Plath wrote Plath's poems poem's poet poet's poetic poetry prosopopoeia psychic published reader reference rhetorical rhyme seems sense sexual Sheep in Fog Shoah speaker stanza stone story suggests suicide survivors Sylvia Plath symbolic Ted Hughes thin Totem transitional poems trope tulips University Press verse victim voice woman women words writing written yew tree York