Sylvia PlathHarold Bloom Bloom's Literary Criticism, 2007 - 250 páginas Each title features: - A complex critical portrait of one of the most influential writers in the world - An introductory essay by Harold Bloom. |
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Página 14
... repressed . ... ” And : " Sylvia's attitude toward Davison himself remained distant , perhaps because of repressed guilt . " ) One comes away from Butscher's book thinking that there should be a psychological label to describe someone ...
... repressed . ... ” And : " Sylvia's attitude toward Davison himself remained distant , perhaps because of repressed guilt . " ) One comes away from Butscher's book thinking that there should be a psychological label to describe someone ...
Página 123
... repression and muting of voice , a thematic of ' the unspeakable ' and a tendency towards narrative involution . For Plath , as for Poe and the early Eliot , poetic discourse is haunted by the threat of imprisonment within the words of ...
... repression and muting of voice , a thematic of ' the unspeakable ' and a tendency towards narrative involution . For Plath , as for Poe and the early Eliot , poetic discourse is haunted by the threat of imprisonment within the words of ...
Página 190
... repression is inevitable ” ( 196 ) . The “ cultural question whether after Auschwitz you can go on living " troubled Adorno , too : “ mere survival calls for the coldness , the basic principle of bourgeois subjectivity , without which ...
... repression is inevitable ” ( 196 ) . The “ cultural question whether after Auschwitz you can go on living " troubled Adorno , too : “ mere survival calls for the coldness , the basic principle of bourgeois subjectivity , without which ...
Contenido
Sylvia Plath and the Poetry of Confession | 7 |
Daddy | 21 |
The Poems of 1957 | 59 |
Derechos de autor | |
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Anne Sexton Ariel poems Auschwitz become Bell Jar Berck-Plage Butscher child Collected Poems Colossus confessional poetry critical Crossing the Water Daddy Dead Dears death describes drafts early poems echoes essay experience fantasy father female femininity figure final Freud German Gothic Hardcastle Crags Heptonstall Herr historical Holocaust Hughes's I-speaker identification imagery irony Jacqueline Rose Jewish Johnny Panic journal Lady Lazarus landscape language late poems literary Little Fugue London lyric male memory metaphor moon mother mourning Munich Mannequins narrative Nazi Nazism Ouija Peter Orr Plath wrote Plath's poems poem's poet poet's poetic poetry prosopopoeia psychic published reader reference rhetorical rhyme seems sense sexual Sheep in Fog Shoah speaker stanza stone story suggests suicide survivors Sylvia Plath symbolic Ted Hughes thin Totem transitional poems trope tulips University Press verse victim voice woman women words writing written yew tree York