Sylvia PlathHarold Bloom Bloom's Literary Criticism, 2007 - 250 páginas Each title features: - A complex critical portrait of one of the most influential writers in the world - An introductory essay by Harold Bloom. |
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Página 65
... stanza nine to “ girl ” in stanza seventeen and through the word " bent , " which implies not only that she turns toward home but that she is bent over in humility as well . This submission , too easily and quickly won considering the ...
... stanza nine to “ girl ” in stanza seventeen and through the word " bent , " which implies not only that she turns toward home but that she is bent over in humility as well . This submission , too easily and quickly won considering the ...
Página 84
... stanza , for example ) . While the meter is irregular , each stanza follows the same visual pattern with the first four lines becoming progressively longer , so that the brevity of the last line is jarring , particularly at the poem's ...
... stanza , for example ) . While the meter is irregular , each stanza follows the same visual pattern with the first four lines becoming progressively longer , so that the brevity of the last line is jarring , particularly at the poem's ...
Página 101
... stanza form , the early poems are far more conventionally structured than the late , and a partial survey simply of the kinds of stanza structures Plath progressively employs reveals the tendency of her poetry toward greater structural ...
... stanza form , the early poems are far more conventionally structured than the late , and a partial survey simply of the kinds of stanza structures Plath progressively employs reveals the tendency of her poetry toward greater structural ...
Contenido
Sylvia Plath and the Poetry of Confession | 7 |
Daddy | 21 |
The Poems of 1957 | 59 |
Derechos de autor | |
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Anne Sexton Ariel poems Auschwitz become Bell Jar Berck-Plage Butscher child Collected Poems Colossus confessional poetry critical Crossing the Water Daddy Dead Dears death describes drafts early poems echoes essay experience fantasy father female femininity figure final Freud German Gothic Hardcastle Crags Heptonstall Herr historical Holocaust Hughes's I-speaker identification imagery irony Jacqueline Rose Jewish Johnny Panic journal Lady Lazarus landscape language late poems literary Little Fugue London lyric male memory metaphor moon mother mourning Munich Mannequins narrative Nazi Nazism Ouija Peter Orr Plath wrote Plath's poems poem's poet poet's poetic poetry prosopopoeia psychic published reader reference rhetorical rhyme seems sense sexual Sheep in Fog Shoah speaker stanza stone story suggests suicide survivors Sylvia Plath symbolic Ted Hughes thin Totem transitional poems trope tulips University Press verse victim voice woman women words writing written yew tree York