Sylvia PlathHarold Bloom Bloom's Literary Criticism, 2007 - 250 páginas Each title features: - A complex critical portrait of one of the most influential writers in the world - An introductory essay by Harold Bloom. |
Dentro del libro
Resultados 1-3 de 88
Página 62
... written in iambic pentameter , and " The Great Carbuncle " employs syllabics ( perhaps an indication that it was written in the summer of 1958 when she undertook extensive experiments with them ) . The influences of other poets are less ...
... written in iambic pentameter , and " The Great Carbuncle " employs syllabics ( perhaps an indication that it was written in the summer of 1958 when she undertook extensive experiments with them ) . The influences of other poets are less ...
Página 101
... written in three - line stanzas of which six are terza rima . In Crossing the Water , of seven poems written in three- line stanzas , only three are terza rima . In Ariel , there are no terza rima constructions in the 11 poems written ...
... written in three - line stanzas of which six are terza rima . In Crossing the Water , of seven poems written in three- line stanzas , only three are terza rima . In Ariel , there are no terza rima constructions in the 11 poems written ...
Página 207
... writing simply does not fit into these easy categories . Some of her poems do indeed appear to be written in the confessional mode but not many of them ; some of them might have been written by someone well acquainted with the feminism ...
... writing simply does not fit into these easy categories . Some of her poems do indeed appear to be written in the confessional mode but not many of them ; some of them might have been written by someone well acquainted with the feminism ...
Contenido
Sylvia Plath and the Poetry of Confession | 7 |
Daddy | 21 |
The Poems of 1957 | 59 |
Derechos de autor | |
Otras 5 secciones no mostradas
Otras ediciones - Ver todas
Términos y frases comunes
Anne Sexton Ariel poems Auschwitz become Bell Jar Berck-Plage Butscher child Collected Poems Colossus confessional poetry critical Crossing the Water Daddy Dead Dears death describes drafts early poems echoes essay experience fantasy father female femininity figure final Freud German Gothic Hardcastle Crags Heptonstall Herr historical Holocaust Hughes's I-speaker identification imagery irony Jacqueline Rose Jewish Johnny Panic journal Lady Lazarus landscape language late poems literary Little Fugue London lyric male memory metaphor moon mother mourning Munich Mannequins narrative Nazi Nazism Ouija Peter Orr Plath wrote Plath's poems poem's poet poet's poetic poetry prosopopoeia psychic published reader reference rhetorical rhyme seems sense sexual Sheep in Fog Shoah speaker stanza stone story suggests suicide survivors Sylvia Plath symbolic Ted Hughes thin Totem transitional poems trope tulips University Press verse victim voice woman women words writing written yew tree York