Sylvia PlathHarold Bloom Bloom's Literary Criticism, 2007 - 250 páginas Each title features: - A complex critical portrait of one of the most influential writers in the world - An introductory essay by Harold Bloom. |
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Página 10
... wrote later that she was " always trying to create an effect , to make an impression , " and that she talked about her own life " as though she were describing a stranger to herself , a highly trained circus horse . " Which , in a way ...
... wrote later that she was " always trying to create an effect , to make an impression , " and that she talked about her own life " as though she were describing a stranger to herself , a highly trained circus horse . " Which , in a way ...
Página 224
... wrote , together with Three Women . The disparity between her structure for Ariel and the volume that finally appeared is most obvious in the different emphasis on hope and survival . Her structure would have led the reader towards ...
... wrote , together with Three Women . The disparity between her structure for Ariel and the volume that finally appeared is most obvious in the different emphasis on hope and survival . Her structure would have led the reader towards ...
Página 226
... wrote ' Edge ' also wrote the beautiful ' Balloons ' on the same day , in which she compares the ' globes of thin air , red , green ' to ' wishes or free / peacocks blessing / old ground with a feather ' . Two such different poems , one ...
... wrote ' Edge ' also wrote the beautiful ' Balloons ' on the same day , in which she compares the ' globes of thin air , red , green ' to ' wishes or free / peacocks blessing / old ground with a feather ' . Two such different poems , one ...
Contenido
Sylvia Plath and the Poetry of Confession | 7 |
Daddy | 21 |
The Poems of 1957 | 59 |
Derechos de autor | |
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Anne Sexton Ariel poems Auschwitz become Bell Jar Berck-Plage Butscher child Collected Poems Colossus confessional poetry critical Crossing the Water Daddy Dead Dears death describes drafts early poems echoes essay experience fantasy father female femininity figure final Freud German Gothic Hardcastle Crags Heptonstall Herr historical Holocaust Hughes's I-speaker identification imagery irony Jacqueline Rose Jewish Johnny Panic journal Lady Lazarus landscape language late poems literary Little Fugue London lyric male memory metaphor moon mother mourning Munich Mannequins narrative Nazi Nazism Ouija Peter Orr Plath wrote Plath's poems poem's poet poet's poetic poetry prosopopoeia psychic published reader reference rhetorical rhyme seems sense sexual Sheep in Fog Shoah speaker stanza stone story suggests suicide survivors Sylvia Plath symbolic Ted Hughes thin Totem transitional poems trope tulips University Press verse victim voice woman women words writing written yew tree York