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" We know the original relation of the theater and the cult of the Dead: the first actors separated themselves from the community by playing the role of the Dead: to make oneself up was to designate oneself as a body simultaneously living and dead... "
Body Shots: Early Cinema’s Incarnations - Página 136
por Jonathan Auerbach - 2007 - 214 páginas
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The Aesthetics of Enchantment in the Fine Arts, Volumen65

Marlies Kronegger, Anna-Teresa Tymieniecka - 2000 - 342 páginas
...the photograph is a space of the return of the dead. In this haunted theatre, the spectre appears: The first actors separated themselves from the community...make oneself up was to designate oneself as a body both living and dead .... Now it is the same relation which I find in the Photograph: however lifelike...
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The Material Image: Art and the Real in Film

Brigitte Peucker - 2007 - 276 páginas
...with death through theater, through the cultof the dead. "To make oneself up," Barthes writes, "is to designate oneself as a body simultaneously living...totemic theater, the man with the painted face in Chinese theater, the rice-paste makeup of the Indian KathaKali, the Japanese No mask."78 Barthes, waxing...
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Shakespeare, Memory and Performance

Peter Holland, Director Shakespeare Institute and Professor of Shakespeare Studies Peter Holland - 2006 - 326 páginas
...intermediary' of death; insofar as Barthes claims 'the original relation of the theater and the cult of the Dead' ('to make oneself up was to designate...oneself as a body simultaneously living and dead'), so 'Photography is a kind of primitive theater, a kind of Tableau Vivant, a figuration of the motionless...
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