Authorship and Appropriation: Writing for the Stage in England, 1660-1710

Portada
Clarendon Press, 1998 - 304 páginas
Authorship and Appropriation is the first full-length study of the cultural and economic status of playwriting in the later seventeenth and early eighteenth centuries, and argues that the period was a decisive one in the transition from Renaissance conceptions of authorship towards modern ones. Kewes offers a fresh account of the dramatic canon, revealing how the moderns--Dryden, Otway, Lee, Behn, and then their successors Congreve, Vanbrugh, and Farquhar--acquired an esteem equal, even superior, to their illustrious predecessors Shakespeare, Jonson, and Fletcher.

Dentro del libro

Contenido

Prologue I
11
The Proprieties of Appropriation
32
Plagiarism and Property
96
Derechos de autor

Otras 5 secciones no mostradas

Términos y frases comunes

Acerca del autor (1998)

Paulina Kewes is a Lecturer in English, Department of English at University of Wales, Aberystwyth.

Información bibliográfica