Postnational Musical Identities: Cultural Production, Distribution, and Consumption in a Globalized Scenario
Postnational Musical Identities gathers interdisciplinary essays that explore how music audiences and markets are imagined in a globalized scenario, how music reflects and reflects upon new understandings of citizenship beyond the nation-state, and how music works as a site of resistance against globalization. 'Hybridity,' 'postnationalism,' 'transnationalism,' 'globalization,' 'diaspora,' and similar buzzwords have not only informed scholarly discourse and analysis of music but also shaped the way musical productions have been marketed worldwide in recent times. While the construction of identities occupies a central position in this context, there are discrepancies between the conceptualization of music as an extremely fluid phenomenon and the traditionally monovalent notion of identity to which it has historically been incorporated. As such, music has always been linked to the construction of regional and national identities. The essays in this collection seek to explore the role of music, networks of music distribution, music markets, music consumption, music production, and music scholarship in the articulation of postnational sites of identification.
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Postnational Musical Identities: Cultural Production, Distribution, and ...
Ignacio Corona,Alejandro L. Madrid
Vista previa limitada - 2008
aesthetic Afro-Colombian album ambient music American music Angeles artists audience balada banda bands bolero border Brazilian Cage Cage’s century Chicano Choc Quib Town Colombian hip-hop composers conﬂict contemporary context cosmopolitan cultural cumbia dance deﬁned discourses economic electronic essay ethnic ethnomusicology European ﬁlm ﬁnd ﬁrst Garcia Canclini genre global hip-hop hybrid identity ideologies immigrants industry inﬂuence instruments Japanese jazz John Cage José Juan labels landscape Latin American Latin Pop listeners Los Lobos Mexican Mexico City Miami migration modern movement musical styles musicians musicology Myriam Hernandez nationalist Nor-tec’s Nor-tee norteﬁa Nuyorican performance political pop music popular music postnational produced Puerto Rican ranchera rappers record reﬂected regional rhythms Rico Rio de Janeiro rock samba sense shakuhachi signiﬁcant social song Sony sound Spanish speciﬁc Takemitsu technobanda telenovelas Tijuana tion tional traditional transnational University Press urban Western world music York