Postnational Musical Identities: Cultural Production, Distribution, and Consumption in a Globalized ScenarioIgnacio Corona, Alejandro L. Madrid Lexington Books, 2007 M12 28 - 250 páginas Postnational Musical Identities gathers interdisciplinary essays that explore how music audiences and markets are imagined in a globalized scenario, how music reflects and reflects upon new understandings of citizenship beyond the nation-state, and how music works as a site of resistance against globalization. 'Hybridity,' 'postnationalism,' 'transnationalism,' 'globalization,' 'diaspora,' and similar buzzwords have not only informed scholarly discourse and analysis of music but also shaped the way musical productions have been marketed worldwide in recent times. While the construction of identities occupies a central position in this context, there are discrepancies between the conceptualization of music as an extremely fluid phenomenon and the traditionally monovalent notion of identity to which it has historically been incorporated. As such, music has always been linked to the construction of regional and national identities. The essays in this collection seek to explore the role of music, networks of music distribution, music markets, music consumption, music production, and music scholarship in the articulation of postnational sites of identification. |
Dentro del libro
Resultados 1-5 de 92
Página iv
... America 9 The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO 239.48-1992. To Vanessa Knights, In Memoriam ...
... America 9 The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO 239.48-1992. To Vanessa Knights, In Memoriam ...
Página vii
... American Musicology Arved Ashby Chapter 3 Productive Orientalisms: Imagining Noise and 45 Silence Across the Pacific, 1957-1967 Barry Shank Part II: A Transnational Caribbean Chapter 4 The Miamization of Latin-American Pop Music 65 ...
... American Musicology Arved Ashby Chapter 3 Productive Orientalisms: Imagining Noise and 45 Silence Across the Pacific, 1957-1967 Barry Shank Part II: A Transnational Caribbean Chapter 4 The Miamization of Latin-American Pop Music 65 ...
Página 10
... music commercialized in the world continues to be Anglo-American. From that perspective, the marketing side of music production offers further ground to the thesis of “cultural imperialism,” as articulated by Jameson, Hardt and Negri ...
... music commercialized in the world continues to be Anglo-American. From that perspective, the marketing side of music production offers further ground to the thesis of “cultural imperialism,” as articulated by Jameson, Hardt and Negri ...
Página 11
... music” with two important differences: it takes into account national borders and does not imply the postmodern celebration of difference and differentiation that Jameson talks about.29 As in other regions, Anglo-American pop-rock music ...
... music” with two important differences: it takes into account national borders and does not imply the postmodern celebration of difference and differentiation that Jameson talks about.29 As in other regions, Anglo-American pop-rock music ...
Página 12
... musical categories.30 Interestingly enough, “progressive music” (along similar hybrid musical interests by rock, jazz, and some classical musicians) became a significant trend in the mid-19605 when popular (Anglo-American) music began ...
... musical categories.30 Interestingly enough, “progressive music” (along similar hybrid musical interests by rock, jazz, and some classical musicians) became a significant trend in the mid-19605 when popular (Anglo-American) music began ...
Contenido
A Transnational Caribbean | 63 |
Across the USMexico Border | 97 |
SouthAmerican Connections | 171 |
Selected Discography | 219 |
Selected Bibliography | 221 |
Index | 229 |
Notes on Contributors | 237 |
Otras ediciones - Ver todas
Postnational Musical Identities: Cultural Production, Distribution, and ... Ignacio Corona,Alejandro L. Madrid Vista previa limitada - 2008 |
Postnational Musical Identities: Cultural Production, Distribution, and ... Ignacio Corona,Alejandro L. Madrid Sin vista previa disponible - 2010 |
Términos y frases comunes
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