Postnational Musical Identities: Cultural Production, Distribution, and Consumption in a Globalized ScenarioIgnacio Corona, Alejandro L. Madrid Lexington Books, 2007 M12 28 - 250 páginas Postnational Musical Identities gathers interdisciplinary essays that explore how music audiences and markets are imagined in a globalized scenario, how music reflects and reflects upon new understandings of citizenship beyond the nation-state, and how music works as a site of resistance against globalization. 'Hybridity,' 'postnationalism,' 'transnationalism,' 'globalization,' 'diaspora,' and similar buzzwords have not only informed scholarly discourse and analysis of music but also shaped the way musical productions have been marketed worldwide in recent times. While the construction of identities occupies a central position in this context, there are discrepancies between the conceptualization of music as an extremely fluid phenomenon and the traditionally monovalent notion of identity to which it has historically been incorporated. As such, music has always been linked to the construction of regional and national identities. The essays in this collection seek to explore the role of music, networks of music distribution, music markets, music consumption, music production, and music scholarship in the articulation of postnational sites of identification. |
Dentro del libro
Resultados 1-5 de 38
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... Europe and Japan; the Caribbean basin; Mexico and the U.S.-Mexico border region; and South America, including two essays on Brazil, one the most important producers of “world music” in today's globalized scenano. The seed for this book ...
... Europe and Japan; the Caribbean basin; Mexico and the U.S.-Mexico border region; and South America, including two essays on Brazil, one the most important producers of “world music” in today's globalized scenano. The seed for this book ...
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... Europe (much less so in Japan) as well as a global “transnationalized” market.28 In the U.S., the conflation of musical styles, genres and regional manifestations under the rubric of “ethnic” music, mostly replaced by that of “world ...
... Europe (much less so in Japan) as well as a global “transnationalized” market.28 In the U.S., the conflation of musical styles, genres and regional manifestations under the rubric of “ethnic” music, mostly replaced by that of “world ...
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... European nationalisms—and early twentieth century elsewhere, via an increased “abstraction” and “self-referentiality” of the musical language. Nevertheless, the current popularity of identitarian labels in the marketing of popular music ...
... European nationalisms—and early twentieth century elsewhere, via an increased “abstraction” and “self-referentiality” of the musical language. Nevertheless, the current popularity of identitarian labels in the marketing of popular music ...
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... Europe as elsewhere. Having emerged in a period of great cultural and social fermentation, the progressive movement sought out to stretch the limits of popular music—mainly through rock, jazz, and electronic idioms—in its exploration of ...
... Europe as elsewhere. Having emerged in a period of great cultural and social fermentation, the progressive movement sought out to stretch the limits of popular music—mainly through rock, jazz, and electronic idioms—in its exploration of ...
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... European scenarios (i.e., Genesis, Le Orme, Focus, Premiata Fomieri Marconi, Renaissance); in sci-fi spaces (i.e., ELP, Krafiwerk, Magma, Tangerine Dream, Gong); outside Europe through musical experimentation (i.e., Popol Vuh, Can, Mike ...
... European scenarios (i.e., Genesis, Le Orme, Focus, Premiata Fomieri Marconi, Renaissance); in sci-fi spaces (i.e., ELP, Krafiwerk, Magma, Tangerine Dream, Gong); outside Europe through musical experimentation (i.e., Popol Vuh, Can, Mike ...
Contenido
A Transnational Caribbean | 63 |
Across the USMexico Border | 97 |
SouthAmerican Connections | 171 |
Selected Discography | 219 |
Selected Bibliography | 221 |
Index | 229 |
Notes on Contributors | 237 |
Otras ediciones - Ver todas
Postnational Musical Identities: Cultural Production, Distribution, and ... Ignacio Corona,Alejandro L. Madrid Vista previa limitada - 2008 |
Postnational Musical Identities: Cultural Production, Distribution, and ... Ignacio Corona,Alejandro L. Madrid Sin vista previa disponible - 2010 |
Términos y frases comunes
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